ALVIN! (/derogatory) (
returncoat) wrote in
deercountry2022-03-30 10:27 am
Entry tags:
Oh, Mama, I've been years on the lam
Who: Alvin, currently wide open with closed starters available on request
What: A catch-all log for the whole month April, now including (1) wandering through the moonlit fog and (2) adventures beyond the Blessed Are the Curious â–²-marked (age-down/fix-it) arch; more to come as events develop
When: April 1st-30th
Where: Trench and the Trenchwoods (and the worlds beyond the arches)
Content Warnings: Threat of gun violence/child wielding a gun in II-C; will warn for other content in subject headers as they come up
I. TRENCH
I-A. (Put an end to my running) (Open)
[Alvin wouldn't think much about the first few days of constant darkness--hey, it's foggy, some places are just like this in spring--were it not for the moon. As he patrols the streets of Crenshaw and Willful Machine, fulfilling his current duties as a Hunter during what should, by all measures, be daylight, he drinks in the moon's soft, green glow. In a way, it almost feels almost like home.
Almost. Until something barrels through the fog, making it roil and rise between the buildings and exposing the pure moonlight in patches. Tensing, Alvin grabs the hilt of his sword, but whatever gusted through the streets makes no further appearance.
He relaxes, then stiffens as he hears a new set of footsteps. When it's just another resident of the city, he sighs and holds his left hand to stretch it, keeping it loose and limber in the sunless chill.]
Hey there. Sure is some weather we're having. [Alvin nods at the still-settling fog.] You didn't happen to get a look at whatever that was, did you?
II. BLESSED ARE THE CURIOUS (â–²)
II-A. (I'm so far from my home) (Open)
['Also, I don't want to look after Leticia anymore. And I want you to tell Exodus to leave me alone.'
Alvin's expression as he stares at the woman speaking to him is flat and impenetrable. They stand outside an apartment in a cliffside city, bustling and decorated as if for a parade, but that celebratory air doesn't reach this landing. Another small knot of people linger nearby, just far enough to act like they aren't listening.
Without breaking eye contact with the woman, Alvin rubs the back of his head, his gaze still less giving than the smooth surface of a stone. Then he shrugs.]
Yeah, all right. Guess I can finally let you off the hook, doc.
[The woman blinks rapidly, shifting onto her back foot. 'W-what?' The others standing around look surprised, too, especially when Alvin turns towards them.]
What? It's not like I can trust Exodus to look after dear old Mommy and me, after what happened here and in Labari Hollow. [He levels a narrowed, dispassionate look at the doctor.] And it's not like I can trust her, either. Not when she so clearly wants out. Who knows what a woman like her could do, left to her own devices?
[He says it staring straight at her, knowing exactly what she could do, left to her own devices. Then he looks at the rest of his party and shrugs again.]
Besides, you're practically a doctor, aren't you, Jude? [The eyes of a diffident, dark-haired boy among them widen even further.] I think I'd rather rely on the honor of an honors student than on someone like Isla. If I steal some of the medicine my mother needs from Exodus, do you think you could study it and work out a treatment for her?
[At this point, reality must sink in for Isla, because she covers her mouth and starts to weep. Alvin ignores her to answer some questions for Jude, who visibly grows more excited about the idea of helping someone. Isla runs off, and the other party members gradually gravitate towards Jude, finally giving Alvin a moment to slip away and rejoin whoever's joined him on this journey.]
...Whoo-ee. That's two or three things off my conscience right there.
[He looks a little lighter, maybe even a little younger. He offers a wryly self-conscious half-smile, linking his hands behind his head.]
So, where to? Pretty sure this makes it your turn. Got something in mind to do next?
((This is the prompt to choose if you want to take Alvin along on your character's fix-it adventure! The age-down effect can happen at whatever pace we like or we don't have to play with it at all.))
II-B. (Oh, Mama, I can hear you a-cryin') (Open)
[By the time Alvin returns to his mother's cliffside apartment, he's a teenager at best, perhaps even younger. He lets himself in, runs a hand back through his even now purposefully-tousled hair, and comes to stand at the bedridden woman's side.]
...Hey, Leticia. I'm back.
[Alvin's mother slowly blinks her eyes open, slowly tracks the sound of Alvin's voice. Slowly, softly, like sunlight edging the outline of once-endless cloud, Leticia finds her smile.
'Alfred.'
Alvin's eyes shoot wide open.
'My dear, dear boy. You've gotten so tall since I saw you last... But do you really think you're so grown up, you have to call your own mother by name?'
He opens his mouth, but none of his questions come out. Instead, a lump settles in his throat so huge and heavy, it drives him onto his knees, suddenly wobbly in the face of her recognition. Alvin searches for her hand beneath the blankets, clings to it with his younger, smaller hand. He draws a wet breath that threatens tears.]
Mom.
[Leticia lets him hold her hand and frees the other so she can stroke her son's brown, just-too-long hair.
'My boy. I missed you, too.'
And she just continues to hold him there, not really noticing in her hazy contentment how he continues to shrink.]
II-C. (You're so scared and all alone) (Open; CW: threat of gun violence, child wielding a gun)
[A child tears through the grandiose decks of a cruise ship, dodging the other well-heeled passengers on his way to the bridge.]
Stop this ship! We have to turn it around!
[He's chased by two young men: one is clearly his father, almost the spitting image of the Alvin people might know in Deer Country, and the other's in his mid-teens. The first finally catches him--literally--locking arms around his little chest and scooping him up into the air. The boy pushes and kicks to little effect.]
No! Let me go!
['Alfred, for goodness's sake, what's gotten into you?'
With a sudden, savage little twist, six- or seven-year-old Alvin jabs his elbow into his father's ribs, grabs at something as he's dropped, and then comes up holding a golden gun. Moving with a fluid expertise no child should have, he loads the gun and raises it, shaking only slightly in his two tiny hands, at his pursuers.]
We have. To go. Back. [He heaves big, gulping breaths and shouts,] Don't you get it? I'm trying to save you!
[Alvin's fear somehow makes the truth tangible: the return arch, the portal back to Deer Country as they know it, lies directly ahead on the airship's path. His fear makes it equally obvious that he does not want to go.]
((Got an idea outside these prompts? Hit me up at
asherdashery or on Discord at asherdashery#5061. Happy to write you a starter or for you to comment to this post with a starter of your own!))
What: A catch-all log for the whole month April, now including (1) wandering through the moonlit fog and (2) adventures beyond the Blessed Are the Curious â–²-marked (age-down/fix-it) arch; more to come as events develop
When: April 1st-30th
Where: Trench and the Trenchwoods (and the worlds beyond the arches)
Content Warnings: Threat of gun violence/child wielding a gun in II-C; will warn for other content in subject headers as they come up
I-A. (Put an end to my running) (Open)
[Alvin wouldn't think much about the first few days of constant darkness--hey, it's foggy, some places are just like this in spring--were it not for the moon. As he patrols the streets of Crenshaw and Willful Machine, fulfilling his current duties as a Hunter during what should, by all measures, be daylight, he drinks in the moon's soft, green glow. In a way, it almost feels almost like home.
Almost. Until something barrels through the fog, making it roil and rise between the buildings and exposing the pure moonlight in patches. Tensing, Alvin grabs the hilt of his sword, but whatever gusted through the streets makes no further appearance.
He relaxes, then stiffens as he hears a new set of footsteps. When it's just another resident of the city, he sighs and holds his left hand to stretch it, keeping it loose and limber in the sunless chill.]
Hey there. Sure is some weather we're having. [Alvin nods at the still-settling fog.] You didn't happen to get a look at whatever that was, did you?
II-A. (I'm so far from my home) (Open)
['Also, I don't want to look after Leticia anymore. And I want you to tell Exodus to leave me alone.'
Alvin's expression as he stares at the woman speaking to him is flat and impenetrable. They stand outside an apartment in a cliffside city, bustling and decorated as if for a parade, but that celebratory air doesn't reach this landing. Another small knot of people linger nearby, just far enough to act like they aren't listening.
Without breaking eye contact with the woman, Alvin rubs the back of his head, his gaze still less giving than the smooth surface of a stone. Then he shrugs.]
Yeah, all right. Guess I can finally let you off the hook, doc.
[The woman blinks rapidly, shifting onto her back foot. 'W-what?' The others standing around look surprised, too, especially when Alvin turns towards them.]
What? It's not like I can trust Exodus to look after dear old Mommy and me, after what happened here and in Labari Hollow. [He levels a narrowed, dispassionate look at the doctor.] And it's not like I can trust her, either. Not when she so clearly wants out. Who knows what a woman like her could do, left to her own devices?
[He says it staring straight at her, knowing exactly what she could do, left to her own devices. Then he looks at the rest of his party and shrugs again.]
Besides, you're practically a doctor, aren't you, Jude? [The eyes of a diffident, dark-haired boy among them widen even further.] I think I'd rather rely on the honor of an honors student than on someone like Isla. If I steal some of the medicine my mother needs from Exodus, do you think you could study it and work out a treatment for her?
[At this point, reality must sink in for Isla, because she covers her mouth and starts to weep. Alvin ignores her to answer some questions for Jude, who visibly grows more excited about the idea of helping someone. Isla runs off, and the other party members gradually gravitate towards Jude, finally giving Alvin a moment to slip away and rejoin whoever's joined him on this journey.]
...Whoo-ee. That's two or three things off my conscience right there.
[He looks a little lighter, maybe even a little younger. He offers a wryly self-conscious half-smile, linking his hands behind his head.]
So, where to? Pretty sure this makes it your turn. Got something in mind to do next?
((This is the prompt to choose if you want to take Alvin along on your character's fix-it adventure! The age-down effect can happen at whatever pace we like or we don't have to play with it at all.))
II-B. (Oh, Mama, I can hear you a-cryin') (Open)
[By the time Alvin returns to his mother's cliffside apartment, he's a teenager at best, perhaps even younger. He lets himself in, runs a hand back through his even now purposefully-tousled hair, and comes to stand at the bedridden woman's side.]
...Hey, Leticia. I'm back.
[Alvin's mother slowly blinks her eyes open, slowly tracks the sound of Alvin's voice. Slowly, softly, like sunlight edging the outline of once-endless cloud, Leticia finds her smile.
'Alfred.'
Alvin's eyes shoot wide open.
'My dear, dear boy. You've gotten so tall since I saw you last... But do you really think you're so grown up, you have to call your own mother by name?'
He opens his mouth, but none of his questions come out. Instead, a lump settles in his throat so huge and heavy, it drives him onto his knees, suddenly wobbly in the face of her recognition. Alvin searches for her hand beneath the blankets, clings to it with his younger, smaller hand. He draws a wet breath that threatens tears.]
Mom.
[Leticia lets him hold her hand and frees the other so she can stroke her son's brown, just-too-long hair.
'My boy. I missed you, too.'
And she just continues to hold him there, not really noticing in her hazy contentment how he continues to shrink.]
II-C. (You're so scared and all alone) (Open; CW: threat of gun violence, child wielding a gun)
[A child tears through the grandiose decks of a cruise ship, dodging the other well-heeled passengers on his way to the bridge.]
Stop this ship! We have to turn it around!
[He's chased by two young men: one is clearly his father, almost the spitting image of the Alvin people might know in Deer Country, and the other's in his mid-teens. The first finally catches him--literally--locking arms around his little chest and scooping him up into the air. The boy pushes and kicks to little effect.]
No! Let me go!
['Alfred, for goodness's sake, what's gotten into you?'
With a sudden, savage little twist, six- or seven-year-old Alvin jabs his elbow into his father's ribs, grabs at something as he's dropped, and then comes up holding a golden gun. Moving with a fluid expertise no child should have, he loads the gun and raises it, shaking only slightly in his two tiny hands, at his pursuers.]
We have. To go. Back. [He heaves big, gulping breaths and shouts,] Don't you get it? I'm trying to save you!
[Alvin's fear somehow makes the truth tangible: the return arch, the portal back to Deer Country as they know it, lies directly ahead on the airship's path. His fear makes it equally obvious that he does not want to go.]
((Got an idea outside these prompts? Hit me up at

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