Johnny Lawrence (
strikefirster) wrote in
deercountry2022-07-07 02:17 pm
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Hey, teacher, leave them kids alone
Who: Johnny, Daniel, Ortus, Gideon Nav's Exquisite Corpse, Paul, Kaworu, Deku, Harrow, Maybe more?
What: Kidnapping, Forced Adoption, Getting these kids away from the Emperor
When: Shortly after boatgate
Where: The Bone House and Cobra Kai
Content Warnings: Probably references to Murder, Manipulation, Johnny Lawrence.
Prompts and Mingle will be in the comments.
What: Kidnapping, Forced Adoption, Getting these kids away from the Emperor
When: Shortly after boatgate
Where: The Bone House and Cobra Kai
Content Warnings: Probably references to Murder, Manipulation, Johnny Lawrence.
Prompts and Mingle will be in the comments.
no subject
But once the nature of what it is has been seen, he cannot unsee it. It is a bizarre thing, to feel pity for a Saint, and one whose acts have brought such grief to his House. One who remains even now devoted to a God who has forsaken his First House and its peoples to chase a woman-beast on the sand, allowing his last subjects to be stolen away under the brazen glare of daylight, by his own most precious disciple's leave.
He turns. He sets the heavy box on the bed of the truck and turns back, brushing the front of his robes indifferently, though not a speck of dust besmirched them.]
I will extend you an invitation.
[He does not care if God once was fond of poetry. He cannot find that within himself, not with Gideon's body cold as the sea she drowned in. But he can muster compassion for the two souls who still do, entwined as they are with each other, and with Him.
Delicately, Ortus extends his hand, an offer shocking in its disregard for Augustine's elevated station above the likes of one such as Ortus.]
Let us not call this farewell, then.
no subject
There's a moment, as he stares, and then he puts his cigarette in his mouth, shakes his hand in midair as if attempting to be rid of a cramp, or stray dog hairs, or maybe just the very fine cloud of tobacco particulates drifting away on the breeze outside — and then he clasps the hand of the Ninth (Secondary) in his own, holding it with a firm affection that lasts several seconds longer than the gesture actually requires. ]
There was a language, once, that I think I knew, as a child, [ he offers, in an all-too-casual tone — just making conversation, as you do. ] It made a point of differentiating between different forms of farewells, different closing statements — highlighting the differences between what you'd say to someone you expected to see in a few hours, or the next day, or at some uncertain point, or not until after you had both died and found each other somewhere in Heaven's copious acreage.
[ The expression on his face might, charitably, be called a smile. On the other hand, Ortus is assuredly no stranger to the rictus grin of a death mask. Perhaps this is somewhere between the two. ]
Au revoir, then, my dear boy; I do look forward to the recital — probably more than to the dinner party, unless young Paul recovers enough to take charge of the kitchen.
[ His accent's not bad, on the French; he has no idea at all if the words will translate, but that's not the point, now, is it? ]
no subject
There is more than one way to construct a barrier between oneself and the world. Ortus attempts to imagine the Saint as a child, all those thousands of years ago, and finds that he may not, because the image that comes to him of a child is one that is small and knobby kneed and skull-painted, with wide eyes of indeterminate color and a muss of pale hair.
The gift of translation in this world smooths the edges of the foreign words, this language that the Saint once spoke, a language as long dead as that imagined child, and Ortus comprehends.
He thinks that over a myriad, one must say goodbye many times, and always knowing that one such time will be the last.]
Au revoir.
[He echoes the words with utmost gravity, which ought to be unsuited to their lightness, but he finds a way to make them suit. He did not aspire to the title of bone skald unready for it.]
I will see to the well-being of my charges, in the meanwhile. [Not quite what Augustine has said; not quite implied, but perhaps meant.] May you find your own such duty not so onerous.
no subject
No use crying over milk that not only hasn't been spilt yet, but hasn't even formed in the cow, however. ]
Small enough chance of that, I fear, [ light-heartedly cheerful as his tone may appear, ] but I'm certainly not opposed to being proven wrong in the matter.
Do let me know, if anyone finds they've left something behind by mistake — although you do appear generally quite well-equipped in the detail-orientation department, amidst the lot of you — and I'll have Alfred drop it by.
And otherwise, well... I do hope that poetry reading will be soon, my young friend. You've certainly got enough work produced and polished to carry it off; you'll just have to whittle down your selection to be an appropriate length to allow for questions and answers, I suspect.
«Or for signings,» [ Alfred interjects. ]
no subject
He does not care for God's loneliness in his emptied nest. He finds he cares, with the ache of a bruise, for Patience's.
Perhaps he will drop something inside of his own. A pen, or a strand of polished knucklebone, or a few scraps of notation. Another reason to lure the Saint, or at least his cavalier, out of this place. ]
Perhaps I shall provide a brief background to the audience to avert some of the more common questions about bones. [ He resists the urge to place a hand on Augustine's shoulder, but only just. ] To leave more - space for 'signings'.
[ He is struck by the terrible and touching knowledge that there will be those who will insist on such a thing. ]
Do not be a stranger.
[ That is how people say goodbye in stories. Ortus nods to them both in turn, necromancer and cavalier, Saint and spirit, Augustine and Alfred, before he turns away, making his way to the truck being loaded now with the young alongside their belongings. ]