ʏᴏʀʜᴀ ɴᴏ.2 ᴛʏᴘᴇ ʙ (
robussy) wrote in
deercountry2022-09-01 03:46 pm
Entry tags:
- 2b: owlie,
- ange ushiromiya: jelle,
- chara: kai,
- daniel larusso: jelle,
- falco grice: owlie,
- jun ushiro: matt,
- levi ackerman: alison,
- murderbot: silyara,
- neopolitan: latroma,
- ochako uraraka: roxy,
- oscar pine: basil,
- peter graham: jhey,
- pyrrha dve: silyara,
- robby keene: ree,
- ruby rose: josh,
- sharon da silva: lunare,
- shōyō hinata: owlie,
- stanford pines: kei,
- uchiha sasuke: simcha,
- vi: aeri
september catch-all
Who: falco grice, shoyo hinata & 2B with friends!
What: a log with closed prompts and open prompts soon to come for the duration of september! feel free to reach out on my plotting comments,
liberos or owlie#3609 if you'd like to plot something specific! i will definitely do personalized tls!
When: september!
Where: corners of trench!
Content Warnings: will add as they come.

What: a log with closed prompts and open prompts soon to come for the duration of september! feel free to reach out on my plotting comments,
When: september!
Where: corners of trench!
Content Warnings: will add as they come.

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finish the cart's main body!
she's too heavy to pull away alone, especially when she's dead weight losing hot flesh where she shouldn't. her legs drag, her head lolls forward— and falco helps, throwing an arm under her's, opposite of sharon, and quickly guiding her to cover.
as quickly as they could walk without killing pieck faster, at least. they'd have to go slow. over their heads, soldiers— their soldiers now, dressed in pale hues rather than darker ones shoot upward with bolt action rifles, all whilst screaming protect pieck! the invaders are called devils, and plenty of them are sniped out of the air. ]
The building! [ it's a straight walk, just surrounded by dozens of cracks and pops being triggered at a time. ] There's cover inside!
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She focuses on pushing forward, one foot in front of the other. This Falco needs this woman safe and Sharon would get her there with him no matter what. ]
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She's not healing fast enough . . . [ sharon would be able to leave the book anytime after this— they've succeeded, but she'll hear his words press so sorrowfully to her thoughts as the last written words on the page of this chapter. falco thought, to himself: this is all my fault. ]
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he tries not to remember the screams of a woman being shredded from within, barbed wires snaking through her flesh and organs and blood like a knife would to cold butter. it wasn't smooth. it was chopped, sluggish, labored and torturous. it was a different sort of horror falco was used to. rather, you shouldn't be used to any kind of horror.
in his bed and coddled beneath confetti's securing wing, falco ends up turned toward the feathers and plumage rather than toward the door, or the rest of the room. it felt tense to do so in the dark. what he feels more is something that just keeps . . . nipping at his neck until he pulled out his omni and started writing a message to sharon: ]
Miss Sharon?
I saw your mom.
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when she gets the text, she feels a flood of relief at the coming distraction. but when she reads it, she's filled with a strange pain and sorrow and concern. her mouth goes dry. ]
Falco, what's...? What do you mean by that? [ it's late. it's late and he should be tucked away in bed, sleeping. ]
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I saw her after I read a book this afternoon. I just keep thinking about it and I thought you should know.
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It's soft. ]
Do you need to talk about it? [ a beat and then: ] Are you all right?
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if he closed his eyes, he could see her, feel her hugging him like rose did— like confetti does, and he allows himself to curl into the encircled white wings. ]
I’m okay. Just . . . [ fabric sifts. he inhales, ] I’ve seen a lot of horrible . . . Scary things, Miss Sharon, but— this was different.
[ he’s not afraid of being honest, but there was no other word to describe it. he comes out with it after a moment of meek hesitation. ]
—It was unreal. It was scarier.
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Scarier, he says, and her mind starts racing; starts sorting through memories of horror and gore and awful. she knows before she knows and prays silently that she's wrong. that she's just paranoid. ]
Hey, it's all right, Falco. [ softly. gently. even as she worries. ]
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There were these . . . Barbed wires, and a lady . . . [ actually, there were quite a lot of people. ] Strapped to a table.
[ he doesn't know what it could've meant— trench was strange. ]
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In... in the church. You saw——You saw Alessa. [ her voice is stiff and breathless. fuck. shit. she could close her eyes right now and see it; see the blood, see the razor wires grip men and women alike and toss them like ragdolls. shit.
shit. ] That was... [ she can't find the words. ] I'm... Fuck, I'm sorry, Falco.
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it was a faraway fragment. nothing palpable. ]
. . . I'm talking to you. It's alright. [ he'll be better. it was the whole point of trying to talk to her. to settle it and iron it clean. it was nothing that would be able to harm him, hopefully. ] You know Alessa?
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Alessa is a... a piece of me, Falco. [ there's something inexplicably torturous about admitting that out loud given what he's seen and she's suddenly terrified. terrified of how he'll see her after. terrified he may no longer look to her for guidance. terrified he may no longer care about her. as alessa, she committed such atrocities but worse is that even now she doesn't regret them. ] She's who I was before I was Sharon. She's the reason Sharon even exists.
[ Daughter. Sister. Self. She can still hear alessa's words ring in her ears. ]
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But, you and Alessa are . . . Separate—?
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Do you remember which body you were in? Were you rescued by Rose or...? [ did you crawl up out of an abyss? it's obvious he wasn't in Alessa's burnt body. ]
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Miss Rose was hugging me. Was that . . . You?
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Mom and Alessa saved me that day. They were going to burn me like they'd burned Alessa. It was terrifying hearing all of their screams but... it was better than hearing their laugher and cheers.
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his voice is small, empathetic, and inviting like the embrace of a fire wanting to comfort someone from winter's biting cold. ]
Why would they laugh at something like that—?
[ his tone says it all: how could someone do something so terrible and laugh? celebrate? how could that have happened? he sadly knew the answer, in some ways, but still questioned its horror. ]
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They are the worst of humanity. Cruel and evil and they deserved every single horror Alessa put them through. Every single horror I put them through.
cw: torture/mutilation mention
there really are people who are cruel. who are evil. there're just people who're the worst and we can't change that. ]
I'm . . . Sorry, they . . . [ his voice is a little wet. he takes the time to pause and straighten it out. ] It's not fair.
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it's not fair and she knows it's not. and it sucks. and it hurts. and she feels a fool for ever wishing that life would bless her with happiness for all of her pain, like some equivalent exchange for her suffering. ]
In some ways, I'm grateful to them. [ there's something heavy in her tone. a weight. maybe it's pain or maybe it's grim realization or maybe it's just raw emotion. ] Because of them, because of all the awful things they did, Rose and Chris da Silva got the chance to pick me out in an orphanage and bring me home and love me for me.
[ she sniffles again but can't muffle the sound this time. ]
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Miss Sharon . . . I'm glad it was them, too. It's why you're . . . Sharon. [ and not someone else that's completely . . . unrecognizable. at the end of that nightmare, she was given hope, and love— and love changes everything. ] And, if you're Alessa too, then . . . I'm glad you both had Miss Rose.
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Rose was the greatest gift I ever could have been given in life, Falco. [ it didn't make up for her suffering but it almost did. it was almost worth it all just to be called that woman's daughter. to be held and loved by a woman worthy of the title of mother. ] And, in some ways, she's the reason I know you.
You've been a gift to us, too. [ her words are nasally and heavy, full of love and sorrow in equal proportion. ] Thank you, Falco. Thank you for... not hating me for what you've seen.
[ she hasn't told him she was afraid of that but she was. she's been afraid, so very fucking afraid, that he'd look at her differently. that he'd see her differently. that he'd no longer care about her. but here he was, glad for her. glad for the her that was sharon and the her that was alessa and that made her heart clench up so tight in her chest that breathing hurt and she was filled with feelings she couldn't put into words ]
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Oh, MissSharon— How could I hate you for what you've been through? [ it has the opposite effect on falco. his snort inward before he decides to speak again is wet, gross— but he's clearly touched and melted by her own quiet cries on the other end. with an inhale, shaky but holding a pull of lips up in a smile: ] I love you because of the person you are, even after all of that.
[ it speaks of a tremendous amount of strength and sense of self. she could be far more revolted, dangerous— but even then? falco would still love her. ]
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that may be a wrap.....!!
perfect place to wrap!