faceblocks (
faceblocks) wrote in
deercountry2022-10-08 01:36 pm
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yes I knew it was no moonshine, it is real
Who: vi and various people
What: a catchall for october feat. vileblood anxiety things, animal shenanigans, facepainting things, non-event things. starters will be in the comments. ping me at
eisdamme or eisdamme#7495 if you would like one.
When: throughout the month of october
Where: the rookery kitchen, ursulas, cellar door, willful machine, the outpost, the entertainment feed, other places.
Content Warnings: tba
What: a catchall for october feat. vileblood anxiety things, animal shenanigans, facepainting things, non-event things. starters will be in the comments. ping me at
When: throughout the month of october
Where: the rookery kitchen, ursulas, cellar door, willful machine, the outpost, the entertainment feed, other places.
Content Warnings: tba
no subject
A fucking crazy shithole. I've been calling it Wrong Trench. I dunno if there's a word for it, but it's ...well you know, because you saw it. It's not supposed to be part of ...this. Something about it being connected to the place before Trench, but I'm not an Oldtimer---
[pinching the bridge of her nose, exhaling. word choice change.]
---a Veteran, whatever. They took me, too.
[a hard swallow, the memory of it just a blur of trying to get fang out - an order of protect my sister that was more thought than speech - she hadn't had time for speech. she can't remember how long she wandered around that place before finding the burned out remnants of the rookery.]
It's a cult of crazy people. Riteoir was part of it, but it was all---
---"The True World" this and crown of dead leaves on my head that. I met up with a friend from the Outpost, and someone else I knew. She'd gotten some people into shelter underground, but it was just...
[he knows what it was like. if he's here, that means he'd know about the ritual, would have completed it.]
Both of them knew more than me, but I think those freaks wanted to make their Trench the real Trench. And yeah, a little blood sacrifice along the way didn't seem to be out of the question, and they weren't the kind of people you could reason with. It's like they could smell dissent.
[why. vi would like to know why. she wishes she had a better answer for that part other than fragments.
we couldn't get everyone out and i couldn't find a way to get back. maybe she hadn't tried hard enough. that's what's on her face now: guilt.]
no subject
So it was one of those...dream spaces? You said, that other place -- that was the dream one of those Pthumerians made.
[ It's the only part he can hold onto, right now. Neither of them know anything, the bare details, and it isn't as if either of them can do anything about that place now, what's done.
Robby doesn't even know what satisfaction an answer to that question will bring, but it's also a question that isn't as upsetting as everything else. His sinuses already ache, his lungs, the rest. He already knows the end result to any of this, called it before:
Shit happened, people died, and there's nothing that can change that.
What would be the best outcome, then? To not care. To draw in that weakness, and to shut it away, just like Kreese had taught him. ]
no subject
[she presses her lips together, trying to think of a better word for it than bad or wrong, but lets it hang and only winces again - maybe her face conveys the word better than a word can. oh, wait - she's got the word.]
---hell. It was some kind of a hell.
It doesn't matter what it was.
[she's quiet again - walking where he walks, stopping if he stops, as unlikely as he is to do that.]
But what happened there matters.
[she thinks of her parents. of the memorial on the bridge. of vander and benzo and all of the others. ekko's mural. it might help robby to do something like that. to ...do something.]
no subject
Their walking have led them far, to where a small bridge crosses over where a river runs. Lumenflowers bunch together near its start, the sweet smell being carried along the water, the colour an oddly red-tinged. It's here that Robby does slow his walking, to come to a stop. Hands resting on the rough brickwork, and he isn't sure what he's doing anymore. It's just always like this, when he lets his head get fucked up, waging a war between the need to remember, and the part of him that doesn't want to. ]
You were at work. You didn't have to come out with me.
[ He might finally be acknowledging how crazy it is to drag out Vi like this, even if she came by her own volition. But people shouldn't do that, not for him. It's stupid, he's wasting her time -- it's no as if either of them can change anything.
He just needs to ride this out until it stops. That's how this works. ]
no subject
[it could be a glib response, it could be casual, but the hardness in her expression, the softness around her eyes and in her voice tells a different tale. she looks down into the water, leaning on the edge as she offers:]
What you saw, it ...it can change a lot.
[she doesn't elaborate, he doesn't need that - it's not useful. but it's true. the aftermath of revolution, her parents' broken bodies? that hadn't fucked her up nearly as much as watching helplessly as mylo and claggor were struck down - or watching vander make a choice about her that ended in watching the life leak out of him along with blood and shimmer. she still feels responsible, when she digs at it. she digs a little now and there it is.]
What if you did something for him, for them ...now? Something to put a pin in it, shine a light on it, let people know that it happened and---
[her fingers idly pick at the brickwork, fingernail edging out a little bit of mortar.]
---maybe they don't have to feel like they should forget.
no subject
It's good to have friends that believe it, and act on it. He'd come to her in the first place because she's one of the few comforts he has in this place. Laughably, he might have a few more here than he ever did back in the Valley.
But it's why he listens without impulse pessimism. Staring at the water, not trying to overthink anything; not letting the truth of it can change you give him reason to dig into the ways that's true. There's what comes next that gives him more pause, what she's suggesting -- a possibility he's never thought about before, and even now: ]
What do I do? [ How do you shine anything on an event like this? When: ] I didn't know the guy-- I mean, we just talked and I did some work for him, and I didn't even know the other guy. How do you bring something like that up?
[ To other strangers, people you don't know? Because who else is there to tell than the people who might've known either of them. Just, hey, this guy died, just like so many people here die.
(Because the thought of telling anyone he knows -- it doesn't occur to him as a possibility, or a potential. Why would it?) ]
no subject
she means what she says, and she'd risk her neck for any of her crew here, and on the right day she'd risk it for a stranger.]
What's knowing him? You talked and you did some work for him. That sounds enough like knowing him to me.
[then there's the whole part where you tried to help him in that place instead of just worrying about yourself. a lot of people might have taken that route. and she wouldn't have blamed them - it was a hellish place. it was hard to even think straight, let alone worry about someone else's back. some people might have shat their pants and ran. lost their minds. just ...hid. she wonders sometimes if there are still people trapped there, because places don't just ...cease to exist, do they?]
Back home, after the revolt, people made a memorial on the bridge. Portraits, notes, candles, trinkets. Whatever they could find. But it stayed there for years, and we were always reminded.
[there's a softer tone in her voice as she relays all of this, a cautiousness - she doesn't want to pick too much at it. she's learned to accept it, she thinks. even with the possibilities that trench offers. she doesn't think her parents will be washing up on the beach any time soon. she sometimes hopes so hard for vander she can't breathe - but then she lets it go like she's let so many other things go - and she's able to breathe again after all.]
Years later, when I was locked up and people were still dying, one of my old crew---
---my old family---
---he painted a mural on a wall of all the people they'd lost. Another way to remember.
[she'd been on it, too.]
Maybe you just ask the other fishermen? His name, I mean. Maybe I go with you, if you want. Maybe you build something on the boardwalk. Doesn't have to be fancy, just ...honest.
no subject
He notes the mention of a revolt, the personal quality of it. Vi's life has been hard, he knows -- for her to even think of this, to know just through experience. And more than this, her time locked up more than his own stint in juvie. Their talk of how even good bread is a joy to her. Robby doesn't know if it's her experience that comforts him, or just Vi alone -- the one he shares American snacks with, the parkour, the odd jobs. One of his nice things about being here, and it's why he'd come to her in the first place, hadn't it?
There'd been no particular expectations, except for Vi herself. And this time he doesn't feel the need to protest, or to question her offer. ]
...I'd like that. If you could help me find the names.
[ Because he's been too ashamed to go down there himself, and he admits, breathing out- ] I don't know how to do it. I mean-- without looking like an idiot.
[ Feeling like one. And then there's the question of what to leave, and Robby isn't certain he can think of anything right then. One thing at a time, maybe. ]
no subject
[it comes out almost before he asks - because there's no way she's going to just send him on his way for this. she knows how to break bad news - she'd heard vander do it countless times - that was life in the lanes. firm, but compassionate, sympathetic but ...not too emotional. all of that, she can do.]
They'd probably like it, too. Even if it makes them sad, or angry. They have a place to ...put it.
[their grief, their rage. whatever else they want or need. she's been on the other side of that, that helpless feeling of needing an outlet and having nothing but four walls and no closure.]
I can be the idiot.
[it's not a joke, but she just gives another small shrug. she's made some headway with a few dockside trenchies, but it's hard going - and they've never been kind or welcoming. she's had a trenchie or two spit in her face, fearful, rageful; vengeful. grief? she can handle that.]
Maybe we could leave some ...nets? [the implication being: we're both bad at it, but it's honest.] I could probably draw him, if you want. Maybe just their backs, looking out at the ocean as they make ...better nets.
no subject
Some nets could work. [ Maybe her art? He doesn't know, but he wouldn't stop her. Nets though, that's something he can do. Wonders as well-- ] Those crazy crabs still around? The other guy-- I think he had a family. I mean... crab meat doesn't bring a husband back...
[ But it's something, right? He hopes, and he wonders if the limping man had a family too, despite seeming such a loner even amongst peers.
It's a shrug in his voice, an idea. ]