john constantine. (
oldhound) wrote in
deercountry2021-11-12 10:36 am
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( catch-all ) take a hit if you miss the mark
Who: John Constantine
oldhound+ you!
What: all of the things. well, at least a lot.
When: September to November
Where: all around the place!
Content Warnings: none yet. will update here and in subject lines as needed.
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What: all of the things. well, at least a lot.
When: September to November
Where: all around the place!
Content Warnings: none yet. will update here and in subject lines as needed.
@herc
Never again, mate.
[ He managed a sentence. Good for him. He's just going to lean over and put his hands on his knees while his body revolts at the torture he just put it through. ]
I mean it. [ Breath. ] I don't do this, the running, no. [ A vague wave of his hand as if to gesture at it all before he wipes the sweat from his brow. ] If I'm running then there's something worse than me nipping at my heels or that I'm trying to stop.
[ Right, John's starting to feel a little less like he's going to fall over at any moment. Another deeper breath, through his nose, and he slowly stands back up, rolling his too tense shoulders from all that. That's miserable, it's going to take a half-hour at least to work all that out. A soft noise of discomfort as they head inside and John sees his man heading for the stairs. ]
Oi, where do you think you're going? We're not done, no. You put me through that and let me say it was a particularly nasty level of Hell I've not yet been to before now. [ He jabs a finger in Herc's direction with a pointed look. ] You and me have a yoga date.
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What? A bit of jogging is enough to have you wanting my blood? It was only a mile...
[ Herc's pulling a face because yoga? Really? ]
I'm not much for yoga. How about I shower and get breakfast going for us?
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[ That may or may not be a joke. ]
And I'm not much for running, yet here we are. How's about you help me shift the sofa a bit so we have enough room here?
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@ finding the shop - october (ota)
Which is probably why this is the second time he's caught a map on fire and had to toss it to the floor to stomp out the flames in short order. Yes, there's cursing. Shouting. General upset. Cover your ears, children. ]
Bloody stupid useless bastard thing!
[ Or any other number of colorful expletives shouted out into the shop he's currently inhabiting where he may or may not be alone now. Well, this is lovely. He puts his hands up in a gesture like a surrender and then beckons at the person lingering not far away. ]
No, it's all right. I've got it all mostly under control. Just a small job hazard, you might say. [ He goes to retrieve a nearby broom and a newspaper to sweep the ashes up into. ] Was there something I could help you with in particular or just browsing?
[ Or if you're a familiar face. ]
Oh give over, my outburst there wasn't near as bad as some might've been.
OR
[ Having given up on the idea that he'll find the old shop via scrying, John decides to try a different way. Really, there are two ways to go about it. Which he'll enumerate. ]
Okay, I'm going to pretend anyone here is part of the uninitiated to magic for the most part and if you're not keen then this is as polite as I'll get: sod off. [ Unless you're one of his many kids, his boyfriend, girlfriend, or any of the other Legends (adopted or otherwise) or a friend. In which case he'll mouth a not you. ] In attempting to locate a place that was in Deerington and is now somewhere here but difficult to find with its protections in place—-I've burned through about four maps. Literally. They've actually caught on fire.
So, my thinking is I've got two ways I can manage to get to it. One is the safer route, I charm a pendulum and we follow the trail. Hope it doesn't turn us around in circles for days. [ Pause for dramatic effect? Check. ] The other is a mix of a couple of spells I know. Part bilocation and part portaling. The second won't hurt you but it isn't going to tickle exactly.
Bit like getting the wind kicked out of you.
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She watches the whole swearing song and dance as he stamps out the flames, her expression deadpan. Another map gone. Not very good, looks like whatever's left of the shop is proving trickier to find than they thought. She wanders over to tilt her head at the charred remains of the map, pulling out her wand. ]
... I think I might get you a Sickle Jar.
[ Yes, she means a swear jar. ]
Do you need me to do create another duplicate of the map?
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Is that for your college fund? I reckon have that paid in the space of a week tops.
[ He gives a derisive huff but then nods. ]
If you don't mind, love. I'll get some tea going for us then give it another go. Maybe I can work out a different way to try.
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Both. [ Because there's that matter they'd discussed on the network, but he's also curious about the shop's wares. He'd been browsing while Constantine was otherwise occupied, and now nods toward the ashes on the floor. ] Want help with that?
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i'm coming off a long hiatus; lmk if you'd rather handwave anything!
i'm cool with anything i'm sorry this is ancient as well.
@ finding hestia - october (ota)
Come on, sweetheart, I know you're here. Charmed that collar of yours way back.
[ When he was looking for the shop, he thought to also put out feelers for her. He admittedly didn't hold out a lot of hope considering the last time he saw her the house was coming down around their ears. He'd only barely manage to cast the spell to get the door open so she could bolt.
After that, he was a bit too useless to manage looking for her and she seemed to realize all that dream nonsense was ending as well so he didn't hear tell of her at all at the end of it. He's not one to cling to a lot of hope and that bastard place had done a number on all of them from the start. He wasn't planning on pining after the pup, she was a Hellhound and she could certainly take care of herself.
But then people were talking about dogs from home, the old town, and things carrying over—- He misses her. Never had a pet before all this, not really. Always wanted one but it was never in the cards. ]
Hestia? [ He hunkers down where he's at just off the tree line and tears off a piece of the meat to offer out. He leans up a little, thinking he's seen a bit of her but then footsteps get his attention. He's quick to stand and look toward the sound. ] You'll show yourself if you know what's good for you.
[ If it's someone he knows he might be a touch apologetic at the tone but it's easier to lean on old habits in this new town than try for a soft touch with everything. ]
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[ Her voice is playful as she approaches.
Truthfully, she's a little afraid of him, but not because she thinks he's dangerous. It's more what he could do to her without really trying. She's never really let anyone in, not entirely, and he's dangerously close to getting through the rest of her defenses.
She reaches down to rest a hand on his shoulder. ]
Maybe she's not ready.
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That's no way to provide incentive.
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[ On the other hand though he's fucking nosey so it's no surprise he got noticed. He steps out with a light smirk and gestures to the meat. ]
That for me?
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001.
( 𝘵𝘩𝘦𝘳𝘦'𝘴 𝘢 𝘯𝘪𝘤𝘩𝘦 𝘪𝘯 𝘩𝘪𝘴 𝘤𝘩𝘦𝘴𝘵 𝘸𝘩𝘦𝘳𝘦 𝘢 𝘩𝘦𝘢𝘳𝘵 𝘸𝘰𝘶𝘭𝘥 𝘧𝘪𝘵 𝘱𝘦𝘳𝘧𝘦𝘤𝘵𝘭𝘺. )
𝙬𝙖𝙡𝙠𝙞𝙣𝙜 𝙩𝙚𝙧𝙧𝙤𝙧𝙨 𝙖𝙣𝙙 𝙛𝙡𝙤𝙖𝙩𝙚𝙧𝙨.
𝙬𝙚𝙚𝙥𝙚𝙧𝙨 𝙖𝙣𝙙 𝙗𝙡𝙪𝙚 𝙘𝙝𝙚𝙚𝙠𝙨.
weepers
[ Pietro's got something of a collection going - there isn't much to do, currently, other than go looking for the small, valuable mushrooms, and trying not to fall to the aliments of the more dangerous ones. it's akin to hide and seek, or some other finding game; nostalgic enough to remind him of the fun times he's had with Wanda, romping through the woods, looking for anything edible to eat that night.
that the mushrooms inexplicably begin to glow makes the task all the easier, though by the time he's round up all of them in the vicinity, he's found that there is no challenge anymore, now that they all have been inflicted with a tiny, twinkling beacon. it's rather disappointing, really.
the last one that is obviously apparent sits near a vaguely haggard looking man, and Pietro snaps it up before the man can blink, coming to a stop only slightly out of breath from his exertion, the soft hiss of electrically charged air following in his wake. the small bag in his hand is full, and curiously, still twinkling, but he writes that off as a property of the mushrooms he hadn't yet noticed.
curiously, he regards the man, ]
What is, 'peasy'?
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002.
( 𝘏𝘦 𝘸𝘢𝘴 𝘯𝘰𝘵 𝘥𝘦𝘢𝘥 𝘺𝘦𝘵, 𝘯𝘰𝘵 𝘦𝘹𝘢𝘤𝘵𝘭𝘺— 𝘱𝘢𝘳𝘵𝘴 𝘰𝘧 𝘩𝘪𝘮 𝘸𝘦𝘳𝘦 𝘥𝘦𝘢𝘥 𝘢𝘭𝘳𝘦𝘢𝘥𝘺, )
𝙨𝙩𝙤𝙧𝙖𝙜𝙚.
(𝙘𝙬: 𝙗𝙡𝙤𝙤𝙙, 𝙩𝙤𝙧𝙩𝙪𝙧𝙚, 𝙞𝙢𝙥𝙖𝙡𝙚𝙢𝙚𝙣𝙩, 𝙝𝙖𝙣𝙜𝙞𝙣𝙜 𝙛𝙧𝙤𝙢 𝙝𝙤𝙤𝙠. )
𝙗𝙡𝙤𝙤𝙙 𝙝𝙖𝙧𝙫𝙚𝙨𝙩.
(𝙘𝙬: 𝙢𝙪𝙩𝙞𝙡𝙖𝙩𝙚𝙙 𝙗𝙤𝙙𝙞𝙚𝙨 𝙖𝙣𝙙 𝙤𝙧𝙜𝙖𝙣𝙨, 𝙗𝙡𝙤𝙤𝙙.)
𝙚𝙨𝙘𝙖𝙥𝙚.
(𝙘𝙬: 𝙗𝙡𝙤𝙤𝙙, 𝙞𝙣𝙟𝙪𝙧𝙞𝙚𝙨, 𝙘𝙝𝙤𝙠𝙞𝙣𝙜, 𝙙𝙚𝙖𝙩𝙝 𝙤𝙛 𝙗𝙡𝙤𝙤𝙙 𝙯𝙚𝙖𝙡𝙤𝙩 𝙫𝙞𝙖 𝙗𝙡𝙤𝙤𝙙 𝙢𝙖𝙜𝙞𝙘)
tasty blood harvest
[ He hasn't figured out how to leave, but he sure has seen what's behind at least one of the doors, and assumes it's probably a similar sight behind all of them. So he almost laughs when he hears John's voice, a noise that comes out in a rush of air through his nose followed by a cough. ]
It gets worse.
[ His voice is rough and hoarse, no prizes for guessing why. ]
d e l i c i o u s
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storage
Everywhere he looks there's carnage, the scent of it so thick and overwhelming to his senses it takes longer than he'd like to discern what part of it belongs to him and what to those around him. He can feel their agony almost as though it's his own, and it's too much for Wrench to endure. So he stumbles his way through the maze of it all, guided perhaps by the most acute misery he can sense in this place. It calls to him like a homing beacon.
He doesn't hear John's outcries, of course, but something nameless and shapeless scratches at his brain and propels his feet. Further up and up it takes him until he's reeling from the stench, half-choking in desperation. The bodies are everywhere, some motionless and some writhing on their hooks like a bit of bait on the end of a fishing line. He doesn't know what trips him the second time, but he stumbles in front of one of them, and when he finds his feet again he recognizes the shock of blond amid the mats of blood on the man's head.
Wrench wraps his arms around the man's middle and hefts him up, slackening the line on the hook and taking the weight of the man's body entirely from him.
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cw: just... so much blood, field medicine, gaping wounds
cw: just... so much blood, field medicine, gaping wounds (we'll keep that yeah)
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cw: back to blood and guts and gore
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storage
It's for the better that John's strung up. He probably doesn't want to see a remix of that one time he and Herc don't speak of any more, with the Ranger strung up with meathooks in his hands above his head. Hearing the exorcist's cries rouses Herc enough to grit his teeth and get down himself, an anguished grunt escaping past grit teeth, strangled in his throat as it is, and he grips hard on the hook in one hand, wrenching off the other one. It smarts, but he's noticed he doesn't feel pain too keenly any more, and takes full advantage of it to get his other hand off the second hook.
Herc hangs onto the hooks for a moment, swinging quietly in place as he breathes through the pain, and then drops down to his feet as quietly as he can. Then he's padding out as quietly as he can, ears trained for whatever other strange noises he might hear as he goes to find John.
When he finds the blond, his breath catches in his throat because that is not a sight he ever wanted to see, and he rushes over, breathing out, "Hey, hey, easy there, Connie. I gotcha-"
He puts his arms around John's middle, supporting his weight so he's not just hanging on the damn hook, and he looks around, trying to see if there's anything to lower the chains by. "Breathe, Connie. It's gonna be okay."
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escape
Open streets aren't any safer than alleys, though, so she'd rather take the fastest route home and that's why she turns down the alley and-- ]
John! Oh my god!
[ But of course these zealots don't always hunt alone and she misses the scraping sound that trails her into the alley. ]
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escape.
But Peter's still not in great sorts, perhaps emotionally more than anything. Caught, they caught him again, and he thinks they'll keep catching him, just like back home— So many eyes watching him from the darkness, hungry smiles as they close in. These cultists may not be the same as Paimon's worshipers back home, but they represent the same thing. He's the lamb and they're forever finding him again to push him through to the slaughterhouse, feed him to the grinding whir of the machine.
He passes out for a long while, in the safety of a nearby alley.
If something inexplicable connects him to John Constantine, perhaps this is evidence of that — or perhaps it's all simply coincidence — but either way, the alley Peter ends up in is right across the one the exorcist stumbles out of. Though time has separated their journeys by a bit; for Peter it's been a couple of hours since escaping the Tower and conking right out, and it's the man's shouts that stir the boy awake again.
Peter sputters against the taste of bile in his throat and wakes with a start, heart immediately hammering in his chest. He's trying to crawl further into the darkness of this alley away from the sounds, from the jangle of chains and hooks he can hear; god, so familiar, no, no, they've found him again —
— but he recognises the shouts, and he's looking that way to see John there, trapped in place by one of the.... things.
Horror and fear for the man he loves grasps Peter's thudding heart and squeezes it like a fist, but instinct and terror push at him and he starts scrambling back again. It's horrible; his stomach knots against itself like too many snakes caught up in one another, and he's trying to run away. He can't think, can't reason, can't attempt to be brave and help; panic fuels him and propels him to leave everything behind.
Until there's a flash of blue. Surreal, supernatural; it freezes him in place. Peter looks up at it, gaping, terrified — but the horror shifts forms when he sees that it's John doing the killing, and the thing falls back, face awful and twisted, collapsing to the ground in that strange limp way, that dead way, as though boneless.
The boy's gasping so hard it hurts, terrified and relieved and terrified, an endless cycle. Endless thoughts. It's dead, the thing's dead, John killed it — Peter's never seen him kill something before — it's dead, it can't hurt him, John's....
John. Peter finally moves again, this time towards, not away. Stumbling from the safety of his own hiding spot now that the danger's over (a coward, his mind whispers against itself); the boy finds the man. Peter's own blood is stained by now, matted and dried against his ruined clothing and tangled mess of hair, but John's blood is........ fresh. The boy absorbs this fact with a fresh wave of horror, crouches down beside him and grabs for him. It's strange, but he grabs for his neck for some reason, hand curling there close to the collar of the man's shirt, fingers curving inwards. It's to try and tug him upwards, he realises, only as he starts to do it. Maybe he's afraid John could pass out like he had, because the man looks— strange, kind of dazed. )
John—! Are you hurt?!
( A stupid question, he clearly is, if all the blood is anything to go by. Somehow Peter can't seem to accept the concept, but he's never seen John collapse like that. (Also never seen him drain the life out of something, Peter didn't even know he could do that, has he always been able to do that—) )
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003.
( 𝘛𝘩𝘦𝘳𝘦 𝘴𝘩𝘰𝘶𝘭𝘥 𝘣𝘦 𝘫𝘶𝘴𝘵 𝘰𝘯𝘦 𝘴𝘢𝘧𝘦 𝘱𝘭𝘢𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥, 𝘐 𝘮𝘦𝘢𝘯 𝘵𝘩𝘪𝘴 𝘸𝘰𝘳𝘭𝘥. 𝘗𝘦𝘰𝘱𝘭𝘦 𝘨𝘦𝘵 𝘩𝘶𝘳𝘵 𝘩𝘦𝘳𝘦. 𝘗𝘦𝘰𝘱𝘭𝘦 𝘧𝘢𝘭𝘭 𝘥𝘰𝘸𝘯 𝘢𝘯𝘥 𝘴𝘵𝘢𝘺 𝘥𝘰𝘸𝘯 𝘢𝘯𝘥 𝘐 𝘥𝘰𝘯’𝘵 𝘭𝘪𝘬𝘦 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘵𝘩𝘦 𝘴𝘰𝘯𝘨 𝘨𝘰𝘦𝘴. )
( 𝙘𝙬: 𝙙𝙚𝙖𝙩𝙝 𝙤𝙛 𝙖 𝙯𝙚𝙖𝙡𝙤𝙩, 𝙘𝙪𝙩𝙩𝙞𝙣𝙜 𝙞𝙣𝙩𝙤 𝙯𝙚𝙖𝙡𝙤𝙩, 𝙖𝙣𝙙 𝙘𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙣𝙜 𝙗𝙡𝙤𝙤𝙙. )
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The zealot is absolutely radiating with terror and pain, and it's impossible to miss that someone is being attacked. Of course she's going to try to help - whoever it is, is probably dying, and needs intervention. She's beyond shocked when she finds it's John doing the attacking, and it's one of the creatures who have been torturing the Sleepers of Trench that is his victim.
She's inflicted a draining spell on exactly two people, and it's impossible not to recognize what John is doing now is similar, and of course her first instinct is to intervene. She does not want to see anyone make the same mistakes she has in the past.
She grabs him by the shoulders to try to shake him out of it, or forcibly break the connection between him and his victim.]
John! John! Stop it!
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To say that this has shaken him to his core in multiple ways is probably an understatement. But it has not made him sympathetic to the Zealots in the slightest. He's always been kind of cynical and morally flexible here and there, and he finds John's small trail of bodies. It's impressive considering how powerful some of these Zealots can be, but that's his main takeaway so far as he gingerly steps over the body nearest John.
He watches for a moment with a pinched expression as John drains the thing of its blood. It's clear he's injured by the way he's standing off balance like it hurts more on one side, there's also a tremble in his frame he can't help but is clenching his jaw to try and control.]
…Did killing them help? [His voice is still recovering from all the screaming he was doing a few days ago.]
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cw: cenobite-style injuries, eye gouging and eye trauma, biting, blood consumption
The jab at his half-mechanical state enrages Maul and he clings fast to a lamppost close by, even using the chains that have come out of nowhere to anchor him despite the pain he feels in his shoulders and upper arms as they continue to dig in. He holds fast, refusing to let go or make this easy for his tormentor. The zealot turns, tutting and now a touch annoyed. "You are just making this all the worse for yourself."]
When John appears, Maul wonders if the smug sorcerer is there just to watch him get dragged off to the hellscape of the farm before he realizes he's there to save him. The zealot releases him to deal with this new threat. Apparently, John has started developing a reputation among them and they see him as dangerous now. Maul lies there for only a moment, bleeding out before he regains his strength and launches himself at the zealot.
You want to make a sacrifice? I'll give you a sacrifice!
[Maul roars out furiously and attacks the cultist not with his Force powers or lightsaber but with his own two hands. They aren't expecting such an attack or how brutal it will be. Usagi tends to file his claws down but they're still deadly when he needs them to be. He grabs the cultist's face, digging deep grooves into the skin, When the being trying to pry him off, he moves to their eye sockets, finding the soft flesh there pliable enough to dig into with great vigor. The pressure from his sharp claws makes the eyes give way until they is nothing left in the sockets but a gory mess oozing out.
Then he bites down viciously on their neck, tearing a chunk of flesh out and consuming some blood as it spurts from an injury that would have been fatal for any other type of creature, which helps to start healing the hook-made injuries. He steps back and nods to John.]
Do what you will with this thing.
[He hisses out.]
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It's one of these nights she stumbles on John, and she stops, breathless — wide eyes watching him for a moment. ]
John—? [ There's no surprise to the fact John tends to deal with the darker, nastier aspects of magic; it's something she's known for a long time. And of course, Luna is no stranger herself to dark magic. There's plenty of curses and hexes in her own arsenal, even if she tries her best to keep things strictly to disarming and subduing rather than outright killing things.
Sometimes killing is necessary, though. She understands that.
But this? This... doesn't seem right. It isn't right. This magic isn't right, the coldness behind his eyes makes the hairs on the back of neck stand up. He's... literally draining the energy from them; something unnatural, and considering who it is he's doing it to. Energy is a dangerous thing. Who knows what kind of thing he's bringing upon himself. ]
John, wait— [ She reaches for him with her free hand, her wand in the other, grips him by the arm. If he could try and see some reason, hopefully he's not completely fallen off the deep-end. ] Stop, stop it—! Not this, don't do this.
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004.
( 𝘞𝘩𝘢𝘵 𝘤𝘢𝘯 𝘺𝘰𝘶 𝘵𝘦𝘭𝘭 𝘮𝘦, 𝘸𝘩𝘢𝘵 𝘤𝘰𝘶𝘭𝘥 𝘺𝘰𝘶 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘺 𝘵𝘦𝘭𝘭 𝘮𝘦? )