themuseabandonsyou: (flower)
Orpheus ([personal profile] themuseabandonsyou) wrote in [community profile] deercountry2021-09-01 06:16 pm

[001] time has a funny kind of violence

Who: Orpheus [personal profile] themuseabandonsyou
What: Arrival, acclimation, acceptance
When: September 1st
Where: The beach, Cellar Door

Content Warnings: suicidal imagery,

In another world, in another time and place, Orpheus plunges an antler - the last physical remnant of Deerington that came with him when he returned home - into his chest with shaking hands, and the world goes dark.

He finds himself floating in the darkness of some great and cold and foreign sea, the current too strong to resist. Somehow, though, the lack of light and the freezing temperatures and the pressure of the water all around him don't seem as immediately dangerous as they should. Somehow, the body he's in now is perfect for it, all flowing lines and long tentacles. It should be horrifying. It is kind of horrifying, if he thinks aboout it too hard, but there's an odd sort of peace to it, especially as he lets the tide sweep him inexorably wherever it's going, giving him time to reflect.

He thinks about arriving back home, walking out of the fog that surrounded Deerington and arriving where he fell asleep, and immediately turning around and heading straight back for the railway town. About Mister Hermes waiting for him with some small amount of surprise but great relief that he was back so soon after he'd run away in the first place. About telling him everything - about Deerington, the people he'd met there, the visions he'd seen, and his decision to come back home rather than keep running away from everyone who might want to help and support him. He thinks about how for a while it had seemed like it might be alright, and that he'd renew his search for a way back into the Underworld with support from those around him this time.

Of course, it couldn't stay that way. Slowly, steadily, things had started to feel... wrong, somehow. Off-kilter. Over time he began to feel less and less like he belonged anywhere, not because of anyone shunning him or anything like that, but in the sense of feeling connected to the world itself. It was hard to describe, but when he called on Hermes again to ask him about it, he got his answer.

You see, Hermes is the god of between-places - of travel, transit, of being neither here nor there. And that's where Orpheus was, caught between where he came from and where he was going. And the only solution, he'd said, was to finally go, to get to his destination, wherever that may be. And as much as Orpheus wanted to protest, he knew Hermes was right. So he said his tearful goodbyes, as best he could with his very self starting to slip sideways out of reality, and took the plunge.

I. it can't leave you the way it finds you
    And now he's here, washing up on the beach. The transformation back into his old shape is awkward to say the least, but he manages it, crawling out of the ocean hand over hand and gasping for air as his lungs regrow. Once he's free of the waves, he collapses, just lying there for a moment in the sand and taking in the new and foreign sky above him. He feels... less bereft, than he might have expected? That's not saying much - being here is essentially accepting that his search for Eurydice is over, and he's still not sure that's sunk in all the way yet, but there's an odd feeling of belonging. A sense of relief, the loss of an ache that he'd felt so acutely that there had been no other way but to come here. It's strange, and he doesn't quite know what it means or how to deal with it, so he just... doesn't. He's cold and wet and covered in sand, but right now all he really has the capacity to do is lie there and stare at the sky.
II. good grief; I've heard people say it
    Some time later, as he's been brought a bag of odds and ends - bizarrely, many of the things he thought to try to bring home with him from Deerington - and gathered the few familiar things of his he's found strewn around the beach, he wanders steadily into town, finding himself drawn as inevitably towards the sound of music and laughter as he was brought here by the ocean currents. His eyes are wide as he marvels at the architecture around him - it's been a long, long time since he's been in a city of any real size, and the ornateness of the buildings is dazzling to him in a way that rivals Hadestown in all its gleaming signs and towering heights. Jostling through the crowds awkwardly with his bag, guitar, and lyre all slung across his shoulders, he hums along softly with the music drifting out of the various venues as he passes them, not quite noticing the way little flickers of firefly-like soft golden light seem to dance around him as he does so.
obeir: (043)

slight retcon, k+partner felt the pull but weren't *willingly* brought into trench, my bad!

[personal profile] obeir 2021-10-06 09:21 am (UTC)(link)
The mention of a wife being in a bad place tugs at K's memory, but in a less distinct way than his recognition of other Sleepers he's previously met. He's quiet for a moment as he follows where that tug of recollection leads, down reforming mental pathways and eventually to his memories of Greek myths — which are directly tied to this particular Sleeper.

"Orpheus," he says suddenly in realisation, then looks a little sheepish. "Sorry. Your name just came back to me." Far from minding Orpheus opening up about his problems, K reaches to rest a hand on the man's shoulder in a comforting gesture as his expression becomes solemn. "And I'm sorry about your wife. I can't imagine..." Well. He can imagine how hard that would be, if he and TB ever found themselves in similar circumstances. It would be absolutely devastating. He feels for Orpheus.

"If you didn't find her," he says after a heavy pause, "does that mean she— might not still be in that place?"