Anna Amarande (
hauntedsavior) wrote in
deercountry2022-01-06 10:22 pm
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the balance of complete and incomplete [open]
Who: Anna Amarande and you!
What: January event catchall
When: January
Where: The Snake Den and around Trench
Content Warnings: Eye trauma, blood, swearing, artful robot nudity, will add as they come in
a. i will trust the artist molding me [the snake den]
Anna doesn't really need much help right now cutting loose at the Snake Den. Madam G has been on her list of Pthumerians to check out for a while, and even if there had been some kind of reluctance to begin with, now that she's here mingling in a borrowed suit she feels downright comfortable. It's like she's ten years younger, and though her voice is still smoky and she's still missing an eye as far as physical age goes, socially she's just. Free, right now. It's nice.
It's nice enough that, when she's not striking up conversation with other people, she decides to indulge herself in the open mic. Borrowing an electric bass from backstage, she walks up, sits down, plugs in, and grabs the mic. "This is one from back home," she says, "By a band called Silversun Pickups. It's about finding freedom and acceptance and love in the places and with the people that everyone else tells you to stay away from. They'll say that the only way to be who you are is to file yourself off. That you need to hold yourself back to make other people comfortable without ever worrying if you're comfortable." She's talking very passionately for someone who doesn't think of herself as a motivational speaker. With a confident look, she finally leads into the song. "Let's bury that lie, Trench. This is called 'The Pit'."
And she starts playing, and she starts singing. And when she doesn't need to be playing and her hands are free, even she's not really sure how she does it, but she finds a way to channel her androidinous self to modify her own voice—just for a little bit, just to test it out. Just to see what happens, before she snaps back into the final lines of the song. And regardless of how it's received, once she's done, she puts the bass down and gently thanks the crowd. Her heart-simulacrum is pulsing faster than it should be as she gets off the stage, and she waits there in the wings in case she happened to inspire anyone with that performance.
b. the echo of what is and what will be [the shedding ceremony]
This is... not a good month for Anna outside of that, so far. For her time at the Snake Den, yes, she's still resonating with A2, and she's still who she thinks she is. But it never really takes long for her to start shedding her own skin again, and damn her brain but she can't stop fucking picking at it long enough to avoid the transformation.
The first time it happens, Anna emerges in a pure white dress that she's wasting no time in staining red. Her hair is longer, cleaner, and in lieu of a katana she's brandishing a blood-red shortsword in her battles with these beasts at the edge of the city. Taking zero precautions against pollution or corruption, she swings her blade right at the neck and lets the blood spray wash over her. When it stops, she hunches forward and shrieks out a strangely melodic note while the beast falls over dead. Her back straightens, and it's clear even from whatever distance anyone may be watching at that she's no longer entirely who people might know. The flower blossoming from her right eye is a good early warning sign, but you'd better act fast, because her good eye is a blazing red and she's rushing towards her spectator with that bloodblade at the ready.
The second time is much less interesting by comparison, but it's not doing her much good. Because the second time, she's just... a normal 29 year old. Both her eyes are fine, she's fully organic, and she doesn't know how to use a sword. In fact, she's taking her time and walking slowly through the streets of a town that she's starting to get to know better, wondering what her life even is anymore. Her Omni helps her keep connected with back home, sure, but nobody can get in touch with her no matter how hard she tries. And she woke up, for lack of a better word, with this katana that she's got on her back, and the first friendly-looking person she sees, she just asks outright, "Hey, uh. You have any idea why I would have a sword if I don't remember ever actually owning a sword?"
c. i am creation both haunted and holy [wildcard]
((got anything else you want to do? hit me up here or at
roseward!! also: source for the suit image and lyrics for the cover.))
What: January event catchall
When: January
Where: The Snake Den and around Trench
Content Warnings: Eye trauma, blood, swearing, artful robot nudity, will add as they come in
a. i will trust the artist molding me [the snake den]
Anna doesn't really need much help right now cutting loose at the Snake Den. Madam G has been on her list of Pthumerians to check out for a while, and even if there had been some kind of reluctance to begin with, now that she's here mingling in a borrowed suit she feels downright comfortable. It's like she's ten years younger, and though her voice is still smoky and she's still missing an eye as far as physical age goes, socially she's just. Free, right now. It's nice.
It's nice enough that, when she's not striking up conversation with other people, she decides to indulge herself in the open mic. Borrowing an electric bass from backstage, she walks up, sits down, plugs in, and grabs the mic. "This is one from back home," she says, "By a band called Silversun Pickups. It's about finding freedom and acceptance and love in the places and with the people that everyone else tells you to stay away from. They'll say that the only way to be who you are is to file yourself off. That you need to hold yourself back to make other people comfortable without ever worrying if you're comfortable." She's talking very passionately for someone who doesn't think of herself as a motivational speaker. With a confident look, she finally leads into the song. "Let's bury that lie, Trench. This is called 'The Pit'."
And she starts playing, and she starts singing. And when she doesn't need to be playing and her hands are free, even she's not really sure how she does it, but she finds a way to channel her androidinous self to modify her own voice—just for a little bit, just to test it out. Just to see what happens, before she snaps back into the final lines of the song. And regardless of how it's received, once she's done, she puts the bass down and gently thanks the crowd. Her heart-simulacrum is pulsing faster than it should be as she gets off the stage, and she waits there in the wings in case she happened to inspire anyone with that performance.
b. the echo of what is and what will be [the shedding ceremony]
This is... not a good month for Anna outside of that, so far. For her time at the Snake Den, yes, she's still resonating with A2, and she's still who she thinks she is. But it never really takes long for her to start shedding her own skin again, and damn her brain but she can't stop fucking picking at it long enough to avoid the transformation.
The first time it happens, Anna emerges in a pure white dress that she's wasting no time in staining red. Her hair is longer, cleaner, and in lieu of a katana she's brandishing a blood-red shortsword in her battles with these beasts at the edge of the city. Taking zero precautions against pollution or corruption, she swings her blade right at the neck and lets the blood spray wash over her. When it stops, she hunches forward and shrieks out a strangely melodic note while the beast falls over dead. Her back straightens, and it's clear even from whatever distance anyone may be watching at that she's no longer entirely who people might know. The flower blossoming from her right eye is a good early warning sign, but you'd better act fast, because her good eye is a blazing red and she's rushing towards her spectator with that bloodblade at the ready.
The second time is much less interesting by comparison, but it's not doing her much good. Because the second time, she's just... a normal 29 year old. Both her eyes are fine, she's fully organic, and she doesn't know how to use a sword. In fact, she's taking her time and walking slowly through the streets of a town that she's starting to get to know better, wondering what her life even is anymore. Her Omni helps her keep connected with back home, sure, but nobody can get in touch with her no matter how hard she tries. And she woke up, for lack of a better word, with this katana that she's got on her back, and the first friendly-looking person she sees, she just asks outright, "Hey, uh. You have any idea why I would have a sword if I don't remember ever actually owning a sword?"
c. i am creation both haunted and holy [wildcard]
((got anything else you want to do? hit me up here or at
no subject
"Yes," he responds confidently and honestly. "It's not tech I have personally worked with, but it all looks familiar enough. Technology isn't usually deceitful. It's straightforward." Tubes were tubes no matter what universe they came from. It's what he loved about technology.
"Not sure about the heart, admittedly, but it does seem well-protected. We can figure that one out later." He takes his hands out of her and grabs his bag to dig around for a screwdriver.
"I'm going to start from the bottom and make my way up. Figure we should start further away from the heart just to get a feeling of everything." It's easy from there to work. He moves a finger to the side of his glasses and there's a flicker of green light across the black surface before it vanishes. He doesn't look for loose things - he treats everything as if it was already loose.
"You cool with me taking out some stuff to clean it as I go? You might feel a bit weird when it's removed, but I don't believe removing anything outside of your heart would harm you." Theoretically speaking. He could be dead wrong, but he's about 95.6% sure he was correct.
no subject
"Yeah, uh. Go for it. Just, like, don't be offended if I can't look at it, you know?" She breathes a little and the filters of her lungs flutter. There's no real audible increase in pulse from the black box, but her toes curl anxiously at the idea all the same. "There's a difference between being awake for a diagnostic check and being awake for open heart surgery.
She will be fine if he removes things, she's pretty sure, as long as the actual organs themselves remain intact. Filters, belts, valves, the minor things that might need replacing should be fine to mess with. Given the circumstances, she's pretty okay with 95.6%. She's staked her life on worse odds. Honestly, this might be the best matchup she's had in years.
"My liver might, uh. Might not look so great." She might as well be honest about that. "I haven't gone crazy on it lately, but a couple months ago I was hitting it every night, you know?" The implication should be clear. She hopes. "But yeah, like, all yours. Go for it."
no subject
"Get your booze on?" Yeah, no judgment. He somehow manages to keep a touch of sadness out of his voice too. He was all too familiar with that from Roxy. It makes him miss her something fierce. He puts that energy into Anna.
"Yeah, I get it." He didn't drink much, but he understood self-destructive behavior perfectly. He started to work through her body, falling into a relatively easy flow once he got going. He unloosens a few things just to get a feel for what it was supposed to feel like on her exact body and parameters. Tightens them back up, moves on. Anything dirty in his path, he takes out, even smaller screws and the like and starts to polish them off on a rag he takes from his bag.
Without thinking to ask, he takes out his omen and starts to play some music. It felt like an automatic process for him.
"You cool with the tunes?" At least he asks after? Who knows. Maybe it will help her ease up. Who wasn't soothed by Salt-N-Pepa? He fiddles with a valve, plucking it out and examining it before digging through his bag for a new one. He pops it inside, securing it. "That feel okay for a new part?"
no subject
(Later, when she's not on the table, she'll worry about that. If it's a way to trick herself into not feeling pain and just vaguely feeling uncomfortable inside, then how will she really know if something is wrong inside of her? Is she so desensitized to pain? Is that why it was so easy to decide the best way to let her own blood for her powers?)
"I'm more a 'Push It' girl," she says dryly, but honestly the surprise of someone else actually knowing both Salt n Pepa is doing a lot to help bring her mind out of that bad pit. She takes a second to evaluate things, and there's... huh. That's interesting. The discomfort is actually, like, cleared up? Jesus, talk about desensitization. She'd gotten so used to feeling weird, uncomfortable feelings inside her body (in a purely physical sense, of course) that she'd just attributed it to getting older, but.
"Fuck me," she says in surprise like a mechanic doing his job wouldn't leave her feeling better. "Yeah, no, that actually worked. Are you saying that all the weird stuff my body's starting to do isn't just 'cause I'm pushing 30?"
no subject
"I'm good," he responds instantly, smoothly. "I know I'm literally inside of you, but this is as far as we're going, girlie." He's only ribbing her. He snorts at her question, popping out an especially dirty cog. "Though consider yourself lucky. This is the most thoroughly I've ever touched a chick before."
"Sweet," he says, pleased with himself. He liked to do things correctly. "Looks like it. You might be ancient, but I guess your body isn't."
He removes the first "organ" of sorts and gets to work on carefully cleaning it. This was actually soothing for him. It gave him something to do with his hands, his attention. He could get used to this. "We should try to do this at least once a month. Keep you polished up."
no subject
"You that into this?" she asks instead, knowing full well that this is more than just a tune-up for her. "It's therapeutic, reaching around in someone else's guts?" Or maybe it's more than that. Maybe she's something that makes sense to him even if she barely makes sense to herself. Maybe that gets to be good enough for her right now, because she's being handled with care and caution and—dare she fucking says it, there might even be love in the way he's handling all this stuff.
(She's gonna stab something with the cool sword she has stashed away in her room if the answer to one more goddamn thing in her life turns out to be love.)
"Hey," she says, trying to be sincere despite the teasing. It might seem sudden. It almost takes her by surprise when the words come out of her, and it might also be stripping an air of mystique to things, but she doesn't really care much. "You think this is what healing feels like?"
no subject
The question is a fair one and he doesn't answer right away. It's not like fixing his old robots. They would watch him and all, but he could deactivate them and know that they wouldn't have any real opinion on the situation. Anna had some sort of sentience in her, maybe even a soul, and that changed the game. Yet...
"This stuff makes sense to me," Dirk says finally, "Machines make sense. No matter how advanced technology gets, machinery is reliable in any language, any year. It is made with the idea of being handled." Be more poetic about it, Dirk.
"When I work with machines, it's the one time I feel like I'm completely in control of a situation. Like I can handle any problem I run into one way or another." It's arrogant, probably, but it's true. He was a fucking genius with this shit and he was proud of it. So what? People should be proud of their talents. He puts back the next clean organ and continues on.
"And I guess the idea of helping a friend in the process makes it better." Which maybe Anna wouldn't consider him a friend...But he certainly felt she had become one to him.
He looks up at her in mute surprise by the following question. He has no idea what healing looked like - having never really done much of it on his own. His entire soul was fragmented in a way nothing could heal. His body was littered with scars of past deaths and fights. Maybe he was taking the question too literally.
"I don't know," he admits, not a sensitive enough person to try and lie. "Maybe this is what the beginning of healing feels like. Vulnerable." That he could see.
no subject
"This is about as vulnerable as I've ever been," she says. "You know you're the first person to ever see my whole body like this?" And she doesn't mean just on the inside, because she knows he knows that part already. She won't get into too many details or talk about things that aren't appropriate, no matter how heavy it may weigh on her tongue. "Finally letting somebody help, though... that seems like healing. Pretending that everything's fine and not letting anything get close... I don't know, dude. I'm tired of that."
Maybe she's found some new purpose or something. Maybe she's on an upswing. Maybe things will be okay for her after all. But she's like... she's just glad that Dirk agreed to help in the first place. Breathe out, girl. Feel that air. Time for another sudden question.
"You got anyone back home you can open up like that to?"
no subject
Maybe it was the same thing as being closed off though.
"Am I now," he says. He almost feels guilty at the privilege and trust she's giving him. Feels guilty that's he's not sure if he would allow her the same. It makes him respect her decision on this all the more intensely.
"I think...You might be onto something. I'm sitting here wondering if I'd let you do this to my brain and the idea freaks me the fuck out. I think you have reached a higher level of healing." If it's worth anything. He didn't want to lie to her. "Allowing yourself to be seen as something that can be taken apart. Dunno. There's something to be said for that."
He sets back in another organ and pauses physically at the question.
"No." It's quiet, maybe ashamed. "Maybe. I have tried to be better about that kind of thing with my brother. It can be difficult. I want to seem reliable and capable. I also am probably unhealthily obsessed with presenting myself as someone above emotional damage." ...Is he opening up to her now? Yeah. Maybe he did trust her a little bit more after all. It's certainly more than he's admitted so calmly before.
"I guess maybe this is a mutual experience here."
no subject
Maybe she needs a change of subject. She can sense that this is a big deal with him, his relationship with his brother. It's hard not to notice it. There's a pang in the thrumming black box that is her heart, and unbeknownst to her it seems to show in the form of a spiderweb glow, a pulse across the surface of it that vanishes as soon as it appears.
"I'm the same with my little sister. I haven't talked to her in, like, thirteen years, but I wanted to be there for her, you know? I wanted to make sure that she was safe from the world. I fought so many battles for her." She looks up at the ceiling and smiles a little, remembering the way she was always ready to throw hands. But it disappears just as soon as she starts talking again. "I was so afraid to let her see me break down that when my parents kicked me out, I just got on a bus and left her behind." There's more to it—so, so much more, but this is just the relatable part for now.
"It's a lot. Trying to pretend it's okay so the people who look up to you don't have to worry."