Ichimonji Hayato | Kamen Rider 2 (
expertonshutters) wrote in
deercountry2022-03-10 12:14 am
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Entry tags:
Distant thoughts become cluttered mind [Catch-All March]
Who: Hayato, Dipper, and assorted CR
What: Various event prompts
When: March
Where: Various
Content Warnings: Warnings for the current event. Anything else to be updated as starters are written.
Catch-all log for Dipper Pines (
ghostharasser) and Ichimonji Hayato (
expertonshutters). Top levels below.
What: Various event prompts
When: March
Where: Various
Content Warnings: Warnings for the current event. Anything else to be updated as starters are written.
Catch-all log for Dipper Pines (
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Hayato
Closed Starters
[Xerxes Break]
[His lungs catch air, real air, though he wouldn't call Trench's air particularly fresh on the best of days, and with a gasp, he pulls himself the rest of the way out of the ground.]
[He catches his breath and looks up to take in his surroundings only to find himself sitting in a grave. Cool.]
[It is with surprise, perhaps, that Break may find the walk way to his house strangely blocked by the prone form of someone ...maybe familiar? they've only met once, but it's unmistakably the person Break helped early last month, only much dirtier and warn.]
[He's breathing. Probably.]
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All this is to say, Break discovers Hayato because he's out for walkies, circling the grounds pretending he's being productive and doing gardening reconnaissance instead of avoiding doing any more reading about it this afternoon.
If Hayato were a Pandora coworker, chances would be very high that Break would leave him there and sic Reim on him or something. Break as he is in Trench is not enough of a jackass for this. For one thing, there is no Reim, which is one of this world's most egregious flaws. For another, Break does not trust this place as far as he can throw it, and a guy laying around looking not altogether far from dead surely means there is trouble of some sort about and it's best to deal with it now before it becomes an even bigger problem later. However, Break also remembers that this guy is made of metal. He did not want to startle him when he met him the first time for fear of getting beaned, and he is even less interested in doing that now.
He exchanges glances with his omen. Baltus gives Break a firm nod, trots off to the underbrush, and returns momentarily to give his person -- who carries a perfectly good cane -- a very nice stick.
They shall give Hayato a poke from a distance, and see how that goes.]
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[Grabs stick.]
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Oh! You're alive, how nice.
[Waggles stick.]
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Event Toplevel | OTA | cw: robot gore, eye gore,
Hayato had found that as upsetting as he did absurd, and vowed to try and keep his wits about him. And so, finding himself in the shrine of the Moss King he is a little less freaked out than he would have been without warning. He is however, still pretty pissed about it, and the sort of resigned, angry sigh he emits is the single tell before he turns and marches his way deeper into the catacombs. The sooner he could figure out what this place wanted from him this time, the better.]
[The only hesitation in his step, comes from a pause as he catches a flash of red out of the corner of his eye. It's only a moment, before he resumes his trudge.]
Calling Fire
[The dark water was not a concern for him, he didn't need to eat or drink with the same frequency most normal people did, even after the changes to his body from his blood, so seeking such things out were not high on his list. No, the real problem, the trial that would likely put an end to him on the spot, of course, would be the house fire.
He stands there for the barest of moments as he struggles to reconcile the fact that there's just. A whole house down there burning. The more rational part of himself is trying to argue that this must be some kind of trick, it made no sense, it was some kind of test. That might be long enough for someone to come along and see the shell-shocked way he watches the blaze before he slides his gaze towards ...nothing? Something beside him, perhaps. He stares, as if seeing something that isn't actually there.
It's when the screaming starts that he throws himself into action. No, it didn't matter. If someone was trapped in there he had to save them. He has to make sure no one was in there, and if it was a trap, he'd figure it out from there. His lungs could recycle oxygen for two hours (in theory, back home), he could withstand heat better than most, if anyone had a shot of saving them, it was him, and whatever injuries he'd get he could recover from fine.]
Stay here.
[That's the only warning you get before be bolts into the house.]
Til Death Do We Part
[If you've been with Hayato all this time, then you've probably picked up on the haunted, distant stare he's gotten a few times through out the catacombs. It becomes clear that he's been plagued by something, and once this particular chamber of the catacombs opens up, that something finally reveals itself. A tall, imposing man with a severe yet exhausted presence begins to trail after Hayato. His visage is rotting and ghastly like the rest of these illusions, but in addition to the blood there is visible, cybernetic decay. damaged wires and scrapped metal peer out from under his rotting skin. An eye, freshly torn out, sparks here and there from damaged circuitry hidden under his dark hair.]
[His clothes are dirty and torn, fresh from battle, and his boots and gloves are filthy with muck, oil, and blood. He says nothing, but only regards Hayato with something pained and longing.]
[Hayato finally stops, midway through this chamber, and lets out a ragged, shaking breath.]
...Do you see him? He's there, isn't he? I'm not just losing my mind?
As Above, So Below
[He's tired by the end of this. That stalwart resolve he had at the beginning has been draining out of him with every step he takes. He's lost track of the time he's spent down here, and it's starting to chip away at him, little by little. He's motivated by sheer stubborn will, and an unwillingness to give up, a perseverance he's personally beaten into the very wire that makes him up, and yet he finds himself wavering. Crumbling.]
[The warning sounds in his head as he approaches the black hole. It rattles him to the very core of his metal bones, and after a tense silence, a quiet sound leaks out of him. Laughter.]
[It grows louder, unhinged and distraught, until it barely sounds like him.]
Kindness of the world?
[His laughing practically howls through the chamber, before he quiets.]
Hell is behind me, in front of me, it's all I know. Every step I take is an endless march through a Hell that I'll never escape! And what now?! What Hell can you offer me that's worse than the one I already endure!?
[Those words are defiant, but they are dripping in anguish and fear. Even someone like Kamen Rider is not impervious to the weight of their insecurity and doubts.]
Til Death Do We Part
However, having some undead figure that looks like he was on the losing side of a war definitely qualifies as that. Tensing up as if ready for a fight, he looks at his current traveling companion.]
Yes. I see him. An echo from your past, perhaps?
[It's a shot in the dark, but considering how often this place makes Maul relive his old memories, not one entirely unfounded.]
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[Even Hayato realizes this is a bad time to confront someone about murder or otherwise, that getting into a fight with someone on terrain as uncertain and dangerous as this would be an incredibly foolish mistake. As such, he's also kept quiet, in much the same way. They speak when it's pertinent and little else. Hayato keeps his temper in check, and disregards how satisfying it would be to punch this guy once real good.]
[Getting out of here is more important. Punching could come later.]
[Of course this ghost showing up is going to throw a massive wrench in this plan. Hayato takes a deep breath, not yet turning to face Hongo, though he knows he's there, watching him.]
Yeah. Hongo Takeshi, my partner.
[Hongo isn't here. He refuses to believe this is really him, and so an echo is what he will treat him as, and for now "Hongo" remains silent, watching.]
I think he's been following us the entire time. It's just like him.
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Did he die in battle?
[Judging from his appearance, either he'd had that happen or a building had collapsed right on top of him.]
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[Surviving having a building dropped on you was doable enough for them. Hayato would know, he had one dropped on him fairly recently. He didn't enjoy it, but he still walked away from it.]
At least, I hope not. If we've lost him, then we've lost everything.
[Nothing was a bigger symbol of enduring hope than the stalwart resolve of The First Kamen Rider. Hongo Takeshi would drag himself through hell and back over and over again if it meant continuing to uphold the fight. It wore on him in ways only he'd been allowed to see, but that never slowed him down. As long as there was a reason to fight, Kamen Rider will never die.]
[Hayato finally turns around to face him. His expression is pained while he takes in his state.]
What are you doing here, Takeshi?
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calling fire
So how did this happen?
She thinks this to herself furiously as she waits outside the burning house for Hayato to return. She would have been perfectly happy to ignore the house in its entirety; it makes no sense for a flaming house to be in a catacomb of all places, and after all the insane challenges she's had to endure in the past (what feels like) weeks, she has even less patience than usual for obvious traps.
She could leave him. Oh yes, she should leave him. Making herself obligate to a man clearly mentally malfunctioning will only spell trouble for her in the end. If he wants to be suicidal, then that's his right — as long as he doesn't drag her down with him in the end.
... ... ...
... Dammit. He's been in there for way too long. He may have a metal body, but there are more than just physical forces at play here if those banshee wails are any indication. Tanya's gloves creak with the tight curl of her fists, her teeth bared in an animalistic snarl. Making up her mind, she dumps her pack and submachine gun, puts up a protective film to trap a large air bubble around her, and bursts like a cannonball through the open door.
Now, where is he? He may be suicidal, but he doesn't get a leisurely pass to hell without her kicking his ass first. ]
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[No matter where he searched, he could find nothing, and the fire under his skin that told him he had to keep looking was usurping the part of himself screaming he was being tricked. He knew and yet he couldn't stop.]
[It wasn't until he reached the last room, on the top floor that he took notice of the entities in the room. The shadows that had taunted him from the windows. Perhaps it is what remains of Hayato's normally strong will that causes the shift, but he recognizes them as an enemy. A monster. Bakemono is the word he roars from upstairs, loud enough to be heard over the fire.]
[When Tanya finds him, he's swinging at the shadows, desperately trying to take them out. They move and and shift away from him, silent yet taunting. He's covered in soot and ash and his movements are slowing, sluggish, while he chokes on the smoke. He's like a wild animal who seems to have completely lost who and where he is.]
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When she does finally find Hayato, she takes in the scene between him (berserk) and the specters (hovering mockingly) for a full two seconds before making a decision. Even if he's lost his mind, his body should be as sturdy as usual.
So... she dispels her protective film, layers herself with a skintight defensive shell that disperses shock, and rockets herself right at him in a literal flying tackle. If she manages to tackle him straight through the wall of the house, then all the better. She doesn't want to linger in this house for a second longer than necessary, and she's willing to risk a dent or two in his chassis if it means an expeditious exit. ]
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[The trance he was under is just as violently torn from him once he catches the air of the fall. He musters a single confused noise before they crash to the ground.]
[He chokes up blood, and his head hits the ground with a loud thwak, but he remains remarkably conscious, if startled and disoriented.]
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1/2
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Dipper
Closed Starters
invites self here too
Three nights later, there are suspicious noises on the roof of the Bone Fortress.
They are very quiet noises, just loud enough that a young boy who was lying awake in the bedroom below would catch onto them. Something that sounds like scrabbling claws across shingles. Something that sounds like...faint footsteps. Break and Baltus are both more than capable of moving in complete silence. They are not, on the grounds that Dipper Pines is a nervous creature and simply showing up in his second-floor window with zero warning whatsoever is, perhaps, unwise.
Once they have finished doing whatever it is they are doing up there, Baltus points out that Dipper is also a scary creature, honestly -- they have heard him mutter about the potential in blood magic before -- and Break's face appearing in his window might result in him not having one in short order. Break's suggestion that Baltus be the one to fetch him is also turned down, on the grounds that a shadowy being with glowing eyes is probably also not what you want to see outside the second floor in the middle of the night. After some deliberation, the cane, they decide, is an acceptable sacrifice. Leaning caaaaaarefully over the edge of the roof with Baltus at his side, mindful that he doesn't want to wake anyone who isn't already awake, Break lets the end of his weapon knock neatly against the windowpane in the rhythm from the start of "Do You Wanna Build A Snowman".
Tap tap t-tap tap.]
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He remembers the last time shit came from the roof. He remembers the white walkers, trying their damnedest to get through the house's fortifications. He remembers sleepless nights, holding his breath-
He's quick, grabbing his knife off his nightstand. He barely flinches as he cuts his finger, reaching up to draw a sigil into the wall just above his head board. There's a moment when the walls seems to pulse, giving way to a magic array that covers the entire room that fades as quick as it came. A barrier for protection, though it only works on specific evils. It is however, good for giving a warning that much worse could come.
So is the sound of a shotgun being cocked, not far from the window.]
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A moment later, a lollipop attached to the end of a ribbon dangles down in front of the window. There is very little that is more "Break's house" than candy and ribbons, so this may well tip Dipper off as to just who has decided to bother him in the middle of the night. Even so, it is not one of Break's favorite flavors, just in case Dipper shoots the thing on sight. We needn't be wasteful.]
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[While it was loaded with fire dust bullets.]
[As such, Dipper thinks first before shooting, and gives the lollipop and the ribbon it was tied to a scrutinizing squint. Wait, that is definitely the calling card of someone specific. With a sigh, Dipper lowers the gun entirely, clicks the safety back on, and goes to the window.]
[He pushes it open so he can grab the lollipop.]
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(Mabel)
Finding out about the Ozpin stuff didn't make it worse, exactly. It just gave him something to direct his aimless aggression towards, and after he and Ford had that conversation, some ideas started churning in his head. Ideas that gave him an outlet, a focus, and something to fixate on.
And not entirely in the good way.
Dipper has spent a decent amount of time in and out of the dreamscape lately, too. That also isn't a warning sign on it's own, since he frequently practices his abilities with his sister. However, putting all of it together might spell out some potential trouble, and if Mabel has been keeping an eye on her brother, she might pick up that he's spent most of the day asleep in bed.
It might be worth checking up on him.
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A woman's heart is an ocean of memories, and stuff.
Still, for all that she's sunk a little back into her self-absorbed ways, it's not as though she's completely unaware that her brother is being all cranky and pubescent about it. And, indeed, Mabel does notice that Dipper is spending more and more time asleep, which is the opposite of his usual problems. When she trundles downstairs in the morning and meanders up hours later for some supplies she forgot and finds him still asleep, it finally crosses her mind that this could be something bad. Abandoning her quest for the moment, she climbs onto the foot of her brother's bed.
"Dipper? Are you awake?"
Event Toplevel