deercountry | [open] Oh the weather outside is weather

He smiles. That's kind of charming. Another friend here, Luz, from the US, calls him Midoriya-kun. She got it from anime.

"You could..." he says noncommittally. "If you wanted to use anything. It would be pretty normal between us. But we don't really expect foreigners to, unless they speak Japanese."

He wonders if the other polite forms in his speech have been translating over too... Oh well.

"And anyway it depends on who you are, how you want to speak, and how the other person wants you to refer to them. Some of my friends use my name without anything, because they're on the more casual side. Or assertive? Like when they use 'I' instead of 'I', or 'you' instead of 'you'."

...That last bit didn't translate at all. He has no idea. The wide street is coming closer, but he doesn't slow his pace or change course.

Paul wonders how much of his own speech is being compressed the way Midoriya's is. He does know that certain words of his own have not translated, as obvious as they are, while others are technically correct, but fail to be fully understood without explanations like this. He's tried switching languages before to see if it makes a difference, it hasn't seemed to. It's frustrating, yes, but also - it's an isolation, in a way.

"I'm going to learn Japanese," Paul decides, casually, as he assesses Midoriya's speed and momentum against the gap looming ahead of him. He must know something Paul doesn't, and Paul trusts that this isn't all an elaborate exercise to teach Paul a lesson about looking before you leap.

Or he did, until he thought about it, and a sliver of doubt crept in. He's almost completely sure that's not what's going to happen. He still leans in further with a touch of apprehension.

"Are you - ?" Paul lets the question be half-finished, ambiguously hanging between sure about this and going to jump.

"H-Huh? Just like that?"

He can't really protest. In fact, he wants to help. He's not the best teacher, as evidenced by his rambling out loud, but he is a fantastic ~~nerd~~ note taker. Very organized and concise. Maybe Paul could help him navigate the Archives in return. He could get some proper books on English, the language he'd been taking at school back home.

"Back to honorifics, then... Uh, they're required in some cases, but they can be something personal between you and another person. Like nicknames. There's only one person I call by a nickname, someone I've known ever since I can remember."

It used to be that he had to consciously imitate the person who was always, in his mind, the image of victory. Now, that fierce grin in the face of a challenge comes subconsciously. The cold air on his sweaty face and the thought of his rival make him feel alive. He can't answer Paul's question, because the answer is happening right now. He leaps off the edge of the last building. Carriages bustle below, and a few pedestrians look up and point. He soars high and far--but not quite far enough.

The grin on his face widens, and he fixes his eyes on his target: the side of a large, stalwart building across the street, familiar to him from patrols. He throws one arm forward, and a black, whip-like energy shoots from his knuckles and sticks to the wall. With a shout, he yanks himself the rest of the way, hurtling across the street towards it with room to spare.

"YES!!" he can't help yelling in midair. His Blackwhip dissipates. He kicks off the wall and lands to run across the neighboring roof. He knew he could do it, but... it is his first time trying it.

Paul trusts Midoriya not to throw himself off a building without a plan. Paul trusts Midoriya not to throw himself off a building without a plan. Paul trusts -

He whoops in time with Midoriya's cry of triumph, then laughs, bright, relieved, and amazed. He's bent over his knees in eagerness when the other boy lands, the question of language forgotten (he means it, though, maybe especially now) as he excitedly wills Sophia to preserve the memory as back up for his own.

"What was that?" Paul asks, almost as soon as Midoriya is running again, his sour mood discarded too. "Is that what you do at home? Are any of these powers from here? How far can it reach? Can you do more than one at a time?"

He stops himself from adding more questions to that, yet, but they're lining up inside his thoughts as he turns what he witnessed over and over like a much-appreciated gift.

"Too--Too many questions!" he laughs breathlessly, struggling to remember them as he keeps up his pace.

"It's a small step. I know some people who could clear that without having to think and juggle multiple things. Naturals. One in particular can move perfectly, like you."

He can't help the very slight wistfulness creeping into his voice. It's as close to jealousy as he gets. He'd have told Paul this earlier, had he not been distracted by him falling in a hole. Finally he starts making his way down from the rooftops, zigzagging down the walls of an alley. He waves apologetically at two very surprised chefs on their smoke break.

"I still have to work to make this Quirk mine. Almost everyone in my world manifests a meta ability when they're little, but mine appeared just a year ago. This is a new move. I don't know if I can do two at once yet. But that's about as far as it can reach."

His Omen alights on his shoulder (Is it smaller now?) and the view is eye level again. Midoriya's flushed, sweating face is on one side, and the Lamp Location at The Red draws closer in front. Midoriya weaves past concertgoers milling about in the portico.

"I'm a Warmblood. I was told we have no magic but the Omen."

"I can teach you how," Paul offers instantly, when Midoriya references his movement, almost fierce with anticipation of the idea. He's more thrilled by that image than the praise, even if it is flattering, his thoughts already flashing ahead to possibilities.

It's not so overwhelming a prospect that he doesn't catch the wistfulness. Paul tamps down his envious frustration at that with a reminder to himself that power is relative. On a world where everyone is like this (and there are so many of those, more of them than worlds like his, it seems) coming into your power late must leave scars.

(The fact the gentlest people he's met here have been the ones who have seemed to have suffered the most, and still chosen dizzying, worrying kindness, hasn't been lost on him.)

"I know it was too many. I've never seen anyone do that before. Or that, the running -" Paul taps his fingers on his knee, almost humming with energy "- better for you to be a Warmblood, I think, so it doesn't interfere with what you already have. It's called a Quirk?"

"Really?! I mean--" He should probably cut back on sounding like an excited puppy. Trenchies around him turn their heads in confusion, then see he is looking at his Omen. "I would be glad to learn, if you would teach me. My moves are too easy to read in a fight, even if I've increased my speed."

He wants to be an honest person. That's the impression he gives as well. But in certain circumstances, he's ready to lie. He was not born with his Quirk, like he claims. It is transferable, and no one can know that. The danger he could bring to people around him if someone decided to come after it with violence ensures his secrecy. Some of its previous wielders were hunted down and killed for the powerful Quirk that can stack the strength of its previous holders.

In the brief time he didn't know his Sleeper blood type, he had been worried that it would affect the Quirk that had been entrusted to him to defeat a great evil. If he went and lost it, he would be letting everyone down.

The view cuts out as he puts his hand near the Lamp. Midoriya and his Omen burst into existence again at Lumenwood's Lumenarium. He's already visited the hospital multiple times, so he only spares it a small glance. Then he disappears from view as his Omen takes off flying again, this time in front to lead Midoriya in Paul's direction. His voice comes from behind.

"Yes. I'm not sure how that* translates into other languages..." He never thought about it before, how much of his speech might be lost. The whole of his society is influenced by this one word. "It's like your self in a way. Something unique to you."

*Kosei, lit. "Individuality". Quirk is the officially used translation.

It's as if Midoriya is infectious. Paul has long been past puppyish excitement, but somehow, when Midoriya bursts into his fits of delight at the simplest things...Paul remembers what it was like so vividly he feels it, too.

"You'll pick it up in no time," Paul promises, his hands around his ankles as he grins, swept along with Midoriya's point of view, "You're a good student, aren't you?"

He's teasing, but not meanly. He knows Midoriya has the potential necessary to learn what Paul has to teach. It does take a good student, a diligent one, who pays close and careful attention. He has the physical aptitude, the right way of moving. And - it would be a reason to spend more time around him.

"And you'll teach me the word properly, so we'll be even." A brisk, certain nod. That's that, then. Midoriya will teach him Japanese, and Paul will teach him the way he fights.

Paul's opinion of Midoriya is going to be shattered once he learns what "fanboy" or "nerd" are.

"Oh! Yes, we will be even, won't we?"

He hadn't even properly identified the feeling, until Paul mentioned being even: an imbalance, like he owed him. Midoriya was elated to be offered knowledge, but also feeling like they should be learning together somehow. Yes, this exchange would do nicely.

Midoriya takes to the roofs again, evidenced by how fast Midoriya's Omen flies, and the sounds of running and jumping from behind. The Omen circles a building that should be familiar to Paul, the one who picked it out for the demonstration. They veer down and discorporate, rejoining Midoriya as he gingerly steps inside through a wide broken window. Calm, vigilant, unknowable, his Omen never did hang around for long, except when they were training. Midoriya sees the hole in the floor and cautiously stays where he is.

"Can you hear me, Paul-kun?"

"No," Paul calls up out of the basement, "I think you have the wrong place."

So perhaps Paul's opinion will not be shattered, because he is also like this.

If Midoriya chooses to come to the hole instead of leaving after that, he'll find Paul looking up at him with an expression that manages to include gratitude he came, embarrassment he found Paul like this, and anticipation of how Midoriya will get him out. Somehow, he thinks it's not going to involve throwing a rope.

"I'll still owe you for this," he says, half-smiling up from the bare floor. There's no sign of any disturbances besides the one he caused, the house otherwise as it seemed on the call: dusty, but empty of threat.

"...Funny," he sighs in the mildest manner possible. It's a treasure, something even those who get to know Midoriya over a long time rarely see, worth its weight in gold: Midoriya making a sarcastic comment about someone else.

Midoriya doesn't move. The last thing he wants to do is cause extra cave-ins by trampling around on an unstable floor. He can, however, just make out a figure standing below in the darkness if he leans at the right angle. Midoriya doesn't tally owed or owing things, nor is he likely to cash in on a favor, but he does want to spend more time with Paul now that he's here.

"...Can we get some yakiniku after this?" he asks shyly. He's not used to asking things of others outside of work or school, particularly things that could contribute to his own happiness.

It's for the best he's half in shadows. Paul doesn't care to think about how he might look at the question, except that it would likely bury any notion he has any dignity left.

"...I'd like that," he says, and he does fail to keep the quiet, skittish surprise out of his voice, especially when he adds, "I don't know what it is, but yes."

It had never occurred to Paul before he came here that there were areas of socializing he had no experience in. The blind spots were of scenarios he never would have been in, back in his world, that's true - but there are times he still feels fumbling and obvious. Admitting he has no idea what he's agreed to is one of them.

"Does that mean you'll still get me out?"

Midoriya wasn't even aware that the suggestion came from missing eating yakiniku with his class. It was just the first thing that came to mind.

"Oh, uh, it's..." a pause while he reaches for something he thinks will translate and hopes concentration does the rest, "grilled meat skewers. I don't even know if they have that here. We could just go eat anything, really." He grins. "Pretty sure I can't get food with you if you're stuck down there."

He peers at the rest of the room, particularly the ceiling, with a careful eye. He's muttering to himself, a slightly off-putting habit, unintelligible somethings about structural beams and haven't tried that...

"The safest way to do this is for me to carry you out. Keep clear of the hole, please. I'm going to jump down."

Now Paul gets to see his Quirk activate in person. He clears half the room in a calculated leap, arcing down to land on the basement floor. His Iron Soles strike the stone. With super strength, he doesn't need to roll.

Paul steps back from the hole immediately, providing ample space for Deku's landing, which he watches with avid eyes and a wide, closed mouth smile. He has an entire fleet of new questions ready to launch, but he holds them at bay - he can wait until they're out of here.

"I'll pay. I insist." He has a few fairly unusual stones on him, enough, he's sure, to cover the costs of grilled meat skewers or whatever else they find. The concept of paying for things himself is still novel, possibly noticeably so in the emphatic way he says it.

And then there's the idea of been carried. Paul knows, objectively, that Midoriya is right, given his abilities. It would be inconvenient to rig up a rope, and he might not be lucky in a fall again. But.

"...you won't tell anyone about this part, will you?" Paul steps towards Midoriya, studiously averting his gaze, as his Omen scrambles up his pant leg and into his pocket. "How do you want to...you know what you're doing. Go ahead."

He'll let Midoriya manhandle him however he sees fit, and swallow his pride about it. He knows (hopes he knows, an uncharacteristic anxiety) the other boy won't hold it over him.

"No, it's no trouble," he protests automatically. It's polite to. (Either Paul has a lot to barter with, or he's woefully inexperienced with bartering in Trench.)

He knows that in rescues, a victim might be reluctant, too scared, or, in Paul's case, embarrassed. For better or worse, Midoriya has a focus on saving others that eclipses everything else.

"You just have to hang onto me. On my back, that will leave my arms free to--"

He's hardly aware of cutting himself off and bracing himself slightly as a small tremor travels up through his shoes. It's gone before he can be concerned.

"...Earthquake?" he mutters in the mild way one does when growing up in a country that frequently experiences them. Anyway, he should hurry.

"...let's go." Paul circles around and bends to wraps his arms around Midoriya's shoulders, embarrassment superseded by the practical aversion to being underground in a doorless room during an earthquake. (His knife is thrust, for lack of a better place to secure it, loosely through his belt - not entirely safe, but it will be brief.)

Caladan is a seismically stable world, its violence confined to its skies and seas. Paul's feelings about shifting earth are new, and not resigned to it.

There's another tremor. This is when Paul's concern shifts into heightened preparatory alertness, and as the vibration ripples up his body, there is a sense of recognition -

"Now."

The second tremor can't be a coincidence. Midoriya activates his Quirk through his whole body again, as he did on his way here. He follows the orders of both instinct and Paul and jumps high into the air, clearing the basement.

The ground should crack and rumble, but the Unsnakely moves through earth like water. It's large enough to crowd a sitting room and long enough to lunge through the hole after the two humans. Being of earth itself, it takes and leaves rocks as it rises straight up out of the ground to snap its flaming jaws--

Midoriya twists in the air. There's no time to finesse a gentle landing like he wanted. He shoots Blackwhip from his hand at the top of the large glassless window frame he used as an entrance, yanks, and hurls himself and Paul through it.

The last time Paul clung to someone's back, he was a fraction of their size, which registers only because it takes a moment to work out how to best manage it when the height disparity is partially reversed. He ends up settling for using his arms alone, bracing down into his shoulders and working to otherwise try to make his own weight more a living than a dead one - in several senses.

As they hurtle through the air, Paul looks down at the creature below, and the relief at seeing it's not a sandworm is quickly replaced with the realization he would have preferred the worm after all.

There's nothing he can do about it for now except hold on, so he does, but it's not a clinging in fear.

"We can't leave it there!" He shouts, over the rush of wind around them and the crashing of the beast, and he's emphatic about the we - if Midoriya plans to drop him on a roof and head back on his own, Paul is going to have to waste time climbing down.

Midoriya skids into a landing outside in the front yard. It's a bumpy ride, but this isn't the first time he's had someone clinging to his back in a fight. Paul is much taller than a small child, though.

The monster follows the sound and vibration and shoots out the window. Its rocky body thrashes against the building as it leaves. Midoriya quickly rules out using an unstable structure as high ground, especially one in danger of going down in flames.

"If it follows us, it'll set the city on fire," he agrees through gritted teeth. The nearby woods are not an option in his eyes either. The Unsnakely whips its tail in the direction of Midoriya's voice, but he dodges with something between a grunt and a hiss.

"It's fast! Help me find an opening."

He speaks to Paul, but his Omen wants to lend a hand. They materialize in a silent burst of black smoke spilling behind him. The Eastern phoenix swells to an intimidating size nearly as large as the snake, throwing them in shadow. They spiral up high in watchful flight instead of defending or distracting as Omens are known to do. The Unsnakely takes no notice.

Paul nods, a sharp motion, and detaches himself from Midoriya with an ease that belies the balance he has to bring into play to do it gracefully. The blade at his waist is suddenly in his hand; his Omen springs into the air at her usual size, then bounds into the cloud of choking dust and ash that Unsnakely casts into the air.

The light must reflect strangely off of it, because for an instant, Paul's eyes seem to shine over with silver.

"Left side, four meters down from the head!" He calls, then twists sideways and back as the Unsnakely lashes out at the sound, and Paul is unaware of his eager closed mouth grin. It's recklessness to have cast himself into the midst of this, as relatively fragile as he is, this thing so beyond him - but he feels none of the looming fear that he should.

A mismatched shifting and grinding of rocks, a gap just a little too wide, anything will do. Paul leaves him in one smooth motion. As Paul calls out the spot, precisely and efficiently, Midoriya's Omen uses that to keep their sights on it and relays that information telepathically. Immune to fire and smoke, Omens can go where neither of their humans can.

Midoriya switches tactics. He darts around the monster fast enough to be difficult to follow by sight, using trees and the remains of stone walls as footing, intending to confuse it enough to come at it by surprise. This inherently makes Paul bait, but Midoriya doesn't intend to let anything happen to him.

Predictably, the Unsnakely lunges for Paul. Midoriya is already in the air, arm pointed like a gun at the outstretched neck. It's more super strength than is strictly safe to be putting into his fingers, but he only releases that much for an instant. The wrist of his gauntlet springs out in a circle to concentrate the air blast from a flick of his fingers.

"DELAWARE SMASH AIR FORCE!!" he shouts in English.

The Unsnakely buckles, several pieces shattering. Midoriya lands and takes aim again.

The monster slips into the ground like falling into water. The yard is silent. The earth doesn't so much as ripple. A few bushes burn forlornly. Like a glitchy video game, Midoriya thinks. Oh no... It's not exactly the same, but he lost soundly the last time he sparred with someone with phasing powers. He rushes to Paul's side.

"We need to get off the ground. That tree..." He's not sure why he's whispering.

Paul is. He would take more time to admire Midoriya's intuition of the beast's hunting pattern if not for two things: his nearly overwhelming amazement at 'Delaware Smash Air Force', whatever that means, and their possible impeding death at the hands of a vibration seeking burrowing tube, which he is familiar with. Ditto to being used as bait.

"I see it," Paul answers, in a matching quietness, then begins to make his way towards the tree. The sandwalk motions won't serve the same purpose here, so he, as much as possible, mimics Midoriya's approach of staying off the ground itself.

Across the courtyard, Sophia has swelled in size to resemble the first half of her originating species' name - kangaroo like, she sits with one enlarged foot raised and ready to pound out a distracting cadence at the first sign of the beast's emergence.

Midoriya doesn't always have time to shout out his moves with an attack, but it is part of his training. At first it was just marketing ploys to him--which of course worked. He was such a fan of All Might as a small child that he copied his brand of naming his moves after US states.

However, as he began to work with Pro Heroes, he began to see that it helps both allies and bystanders remember the things one can do. It reassures them as much as a costume or catch phrase and provides a shorthand for referring to personal techniques as various as Quirks. For better or worse, heroes are public figures in his world: celebrities, civil servants, and protectors all in one.

He leaps towards the tree and extends Blackwhip to yank himself the rest of the way without touching the ground. He crouches on a thick branch. He doesn't know it for sure, but he allows for the possibility that the snake might still feel vibrations from the tree. However, meters between him and the snake's point of emergence would give him more time to react. He selected this tree for its isolation from the others to prevent a fire spreading to the forest. That's part of his training too.

"Did you know what it was?" he breathes. He remembers how, in the basement, Paul knew what was coming before Midoriya had time to really think.

Paul skims silently up the tree shortly after, exercising freshly Trench-polished skills - scaling trees was a thing the young future duke rarely had time to do, even as a child, but out here in the wilds there's been no one to call him back in to do anything he doesn't feel like doing.

This place is a nightmare. It is wildly dangerous. It is full of unknown perils and constantly shifting threats. It's a playground, and Paul is grinning fiercely as he joins his new playmate on the branches. Sophia remains in place on the ground, just in case.

"No, but I've seen something like it. Sandworm." Paul answers Deku in an equal quiet. "Fewer flames."

Then, because Paul is at times painfully earnest, he asks with genuine interest: "Delaware Smash Air Force. What does that mean?"

He glances at Paul to more closely assess if he took any damage, and nostalgia punches him in the gut. Confidence is one thing, but he doesn't know too many people inclined to grin fiercely in the face of danger. His mentor told him he does it to trick the fear inside him. His rival hardly ever talks about how he really feels, but Midoriya knows he loves to win against all odds and hates being seen as weak. He showed him what it means to thrive in the face of a challenge.

So, Midoriya doesn't balk or ask Paul if he's crazy. He respects that. Admires it, even.

He's about to answer. He nearly launches into a long-winded explanation they don't have time for about how he wanted to name all his moves a combination of Smash and a US state in the style of his mentor, and how Delaware wasn't taken, and how the air pressure caused by his super strength is directed by his gauntlet so the wind won't cause damage to people and buildings around him, thus being named after the airborne branch of the military...

"...I'll tell you later. How do you fight them?"

Midoriya avoided the ground just to give himself space to react, thinking the Unsnakely must have earth-based phasing powers. Or perhaps it's similar to the earth constructs one of the instructors at summer camp created for his class to fight. It hasn't yet clicked that it relies on a sense other than sight. He looks at Paul's Omen. What is she doing?

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MHA spoilers, folks

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jaws theme plays

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let me know if i can change anything XD

friend backpack time

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