Orpheus (
themuseabandonsyou) wrote in
deercountry2022-01-07 06:26 pm
[003] And the walls kept tumbling down
Who: Orpheus (
themuseabandonsyou)
What: January Catch-all
When: January
Where: Crenshaw, The Red, one of Trench's parks
Warnings: burns, discussion of organ theft, forced honesty effects, memory loss/loss of sense of self, disorientation, possibly more as marked in thread headers
I. Gray clouds roll over the hills bringing darkness from above ( cw: burns, discussion of organ theft ) ( closed to Eurydice )
What: January Catch-all
When: January
Where: Crenshaw, The Red, one of Trench's parks
Warnings: burns, discussion of organ theft, forced honesty effects, memory loss/loss of sense of self, disorientation, possibly more as marked in thread headers
I. Gray clouds roll over the hills bringing darkness from above ( cw: burns, discussion of organ theft ) ( closed to Eurydice )
- Orpheus comes stumbling in the front door a little over an hour after he ran out. It had been abrupt and frantic when he went, snatching up one of his spare sets of guitar strings and wordlessly sprinting down the street towards a plume of smoke in the distance - whether Eurydice had been there to see him go, he'd been too distracted to tell, too focused on the problem at hand. But she's here, now, as he returns, smelling of burning cloth and worse.
One of his pant legs is seared off up to the knee, still smoldering slightly, and the exposed skin of his calf is - not looking good. He was still able to put weight on it long enough to get home, which is promising, but as he makes it through the threshhold he collapses sideways, leaning heavily against the wall and sliding down it awkwardly into a crumpled heap on the floor.
"I couldn't do it. I couldn't do it." He repeats it to himself quietly, over and over again. His shoulders shake as he puts his face in his hands, breathing hard between the pain and apparent distress.
- It's not the first time Orpheus has seen the gigantic gemstone octopus that decorates the Red's entrance - he spent a great deal of time there on his first day, even, trying to figure out how to find Eurydice, and even after that he passes by it regularly on his way to find work in Cellar Door. But there is a certain sense of awe that comes with actually walking through the betentacled doors, having been invited in. Something about it feels like a massive weight has been lifted from his shoulders, and he blinks in wide-eyed surprise at the luxury of the club that lies within. It's like nothing he's ever seen before, save for in photos, and he stands there for a long moment just taking it all in until someone jostles him out of the way.
II-A. Watching
- Despite Orpheus being, well, himself, it actually doesn't occur to him to get on stage at first. He watches the other acts with enthusiastic attention, whistling and clapping for his friends and strangers alike, but whenever the call goes up for the next performer, he looks... torn. Fidgeting with the strap of the guitar on his back, he frowns, glancing around him, then back at the stage with almost an almost hungry look. He wants to go. He doesn't want to go. Even feeling more relaxed here than he has in days, all the ostentation around him, the high-class of the setting and his own feeling out of place in it combine into the sort of pressure to do well that he's rarely felt before. Usually all he does is play for friends, but this? Even if the audience is mostly other Sleepers, this feels different.
- Sooner or later, though, someone convinces Orpheus to take the stage, to swallow his reservations and just go, and ultimately he's grateful for it. He strides up to the spotlight and slides his guitar around in front of him, taking a deep breath, and begins to play a lively, rousing song, the crackling glow of campfire-light cast all around him as he sings.
"It's only for need to pay the bills
That a man goes to work in the mine, in the mill
For what does he trade the sunshine?
For a couple of nickels and dimes
But up on top a man can breathe
When he's livin' it, livin' it up
With friends and family to meet his needs
Livin' it up on top
Won't make anyone a millionaire
We're livin' it, livin' it up
But what we have, we have to share
Give me a lyre and a campfire
And an open field at night
Give me the sky that you can't buy
Or sell at any price
And I'll give you a song for free
'Cause that's how life ought to be
So that's how I'm livin' it
Livin' it, livin' it up
Livin' it up on top"
- And when he comes back down, it's like all his worries have washed away. He practically bounds off the stage, face flushed and grinning, making a beeline for the first person he recognizes or maybe just whoever catches his eye.
"How was that?" he asks, earnest, eyes shining. "I've been - I couldn't fix things with my music before, so I was worried I was losing it, but that - it sounded all right, didn't it?"
There's a beat, then his brow furrows slightly, a look of confusion on his face. What did he just say?
- The man standing out in the middle of one of Trench's few, scattered parks looks a lot like Orpheus. He's older, though - it's hard to tell how much, but clearly well past his 20s, and looking even older than he probably is for the stress lines on his face, speckled with old, faded little scars from stray sparks kicked up while welding. He seems exhausted, too, like every movement he's forcing himself not to just collapse on the spot. None of Orpheus's puppy-like exuberance shines through in this man, bundled against the cold like he's even less accustomed to it than usual in layers upon layers and just silently putting one foot in front of the other, except -
The sun starts to peek through the clouds, a lone shaft of sunlight falling on one of the trees, and he raises his head from where he'd been staring at the ground to look - and his eyes grow wide with childlike wonder. He doesn't move towards it. He doesn't dare breathe, for fear that any slight change could take this sight away from him. A tear runs down his face all the same. It's been so long.

no subject
"Right now? Mostly kind of worried about you."
That's still a little more honest than she'd usually be, considering how openly and easily she's saying that, but.. well, this place just drags it right out of her.
"You seem to be taking this really hard, if you don't mind me pointing that out so bluntly." Because even in its bluntness, it does seem true. For Orpheus to start about that at an occasion like this.. It must mean that these thoughts have been hanging around in his brain.
no subject
"I just... worry," he says, looking down at his hands in his lap. "About being a burden, or a bad friend. A bad husband. It seems like everyone else is so smart, or strong, or clever, and I can... play the guitar."
He's underselling himself, he knows, but it's hard not to when he feels so ineffectual.
"I keep trying to help, but it either doesn't work or makes things worse. I couldn't help Julia back in Deerington, and when I tried during that experiment with the portals it just put the people who were trying to keep me safe in danger. Eurydice died before I could fix the seasons back home, because I was too focused on something that wasn't going to work the way I was doing it. And, here all I really did while trying to help Varian was hurt myself and upset Eurydice by putting myself in harm's way again."
He shakes his head. "And I'm not even sure if any of that would've happened if I'd managed to get the prophecy about it right? I don't know what to do. I feel like I just get in the way and hurt people who care about me."
no subject
Especially in a place like this, Ange thinks. He might be including stuff from back home as well, but Ange thinks there's just a natural tendency for a lot of things to go wrong in this sort of place. And they're mostly unable to do anything about it.
It's all just too big for them, like a force of nature.
"Especially since you have plenty of good qualities, Orpheus." A topic that Ange usually would be pretty hesitant to start about, but under the current circumstances, she just smiles and speaks on - as if it's nothing. "You're infinitely kind, which is something we could use more of in the world. Not to mention you always try to lend a helping hand. Sure, it might not always turn out the way you'd like it to, but.. If I was in trouble, I'd rather have someone reach out to help and fail, rather than have no one attempt to help me at all."
no subject
"Thank you," he says, smiling. It's a little forced, trying to power through the lingering sense of helplessness, but he does mean it. "That - that means a lot, to hear. I do my best, to be kind and help when I can? It never feels like enough, but. You're right. Sometimes the important thing is trying."
It doesn't take the sting of failure away, but it does re-frame it in a way that hurts just a little less. He can still show that he cares, at least, even if he can't fix everything he feels like he should be able to. That counts for something.
no subject
But Ange hates lingering on that feeling. She doesn't want to feel helpless, let alone have people who are as consistently kind as Orpheus experiencing it.
Maybe that's why she's clinging onto it so much right now.
"I know it isn't enough," she admits. "But it's better than nothing, right?"
At least then you can still get some positive feeling out of the mess this place often leaves them in.
"I sure know that if something ever happened to me, I'd already be glad if you tried to help me out. It's better than having no one care at all about me."
no subject
He smiles at Ange, genuine and still a little out of sorts, but clearly feeling much better than he was.
"It's a lot better than nothing," he says. "Thank you. I still - I still wish I could've done more? But I think maybe I'd feel that way no matter what happened, unless everything went perfectly, somehow." Which even he knows better than to hope for, at this point.
no subject
Because she gets it. Ange feels the same way whenever she tries to help someone, but it just isn't enough. Which happens a lot in this place.
But she also thinks that with how specifically hard it seems to be on Orpheus, it's saying a lot about him, and a lot about how much he cares about other people.
Which means she's lightly poking fun at that very fact right now, but.. it's in a fond way, really. Ange admires his unending kindness, even if it's also exactly what makes her worry about him.
".. but, you know, I could be wrong about that."
Still a joke, judging by that smile on her face.
no subject
"I'm glad you think so," he says. "I don't think I'm a particularly good person? At least, not any more than anybody else. But, I try. And I think you're a good person too. I know you've been through a lot, but, you've always tried to help me, at least."
He beams at her, earnestly. Sure, he's seen some memories that paint her in a less than flattering light, but since he's known her? She's been nothing but helpful and concerned about his and others' safety, and he figures that counts for a lot.
no subject
But something makes her realise that maybe, just maybe, she should take the compliment for once.
".. thanks," she therefore ends up saying. "It's just that I think helping each other in this sort of place is important. Even if it might not always work," considering what Orpheus literally just told her about, "there still most likely are many cases where worse case scenarios are prevented, just because someone's getting help in time."
Hence why Ange is doing her best here in the first place to try and reassure Orpheus a little. You can never know which negative feelings might end up festering if they're left alone.
no subject
"Exactly," he agrees. "I guess it's good, to look at it that way? What we do might not solve everything, but we don't know how much worse things could get, if we didn't try at all."
Ironically, Orpheus's optimism makes it hard for him to think in terms of worst case scenarios, even when it's framed as having averted them. But what Ange says makes sense, and he files away a mental note to try to consider that, going forward.
"I've been talking to some people, about all this," he says. "And I think - aside from trying harder to keep an eye on each other, I think the key is going to be knowing when and how to ask for help, ourselves. And that's... harder, than it really should be, sometimes. But it's important, here more than anywhere else, by the looks of things?"
no subject
It's something Ange easily agrees with, though some of her good cheer does seem to be replaced with something a little more serious as she speaks on.
This is a serious topic, after all. What's happening to some people, the way they both physically and mentally change.. It seems like one of the biggest problems in this place. Especially since it's not just something that's contained to a single month - something they just have to tough out until it passes.
It's going to be a constant threat for them, apparently.
"I think it's a combination of both that, and the fact that people need to be more aware of when they're slipping in the first place."
Maybe it'd be harder to deny some physical changes, but..
"It seems that for some people the whole withdrawing and not asking for help is a part of their change, which makes it even more difficult to discover that something is wrong in time."
no subject
Orpheus frowns, thoughtfully. Honestly, Varian's been his only major experience with any of this, and he'd sort of been distracted for a lot of the later stages. Maybe he should ask around for more details, if anyone's willing to share.
"I guess the good thing to do would be... just to make sure that everyone has at least a few people who can check on them, every now and then? So they can't just isolate themselves. That's also hard, though. Not everyone has people they're willing to trust like that."
Which seems sad, but even Orpheus knows that it's just how it is for some people.
no subject
".. they'll get there."
After all, she's speaking from experience. Ange didn't trust people either for the longest time. She remembers just how long she spent in Deerington pretty much mostly by herself, unwilling to trust others, to fully let them in.
If this had been a problem back there? She would've been screwed.
But..
"I got over that as well. And maybe people will get over it even more easily here, once they realise just how important it is. Without trusting anyone, you're an easy mark here." And she doubts anyone likes the idea of falling into corruption.
no subject
"I'm happy to hear that," he says. "Not just because of the corruption risk, but. It's good to have people you can rely on. And I think you're right. Maybe all of this will make it easier for people who have a hard time with that to open up a little more."
It's a shame that they're essentially being threatened into trusting others, and Orpheus doesn't sound as enthused about it as he could be given that part, but he guesses there are worse fates. Like turning into a lava monster, for example.
"I think tomorrow I'll take a day to just visit with people I don't see as much of," he says, thoughtfully. "I don't expect them all to tell me everything about how they're doing? But maybe just having someone check in on them will be nice. It's something, at least."
no subject
He's a guy who's truly just too kind for this world. Too kind for any world. Even as he's sitting here at this fun party, he's still trying to think of what he can do for other people. It's a trait Ange has always admired in other people, that endless flow of kindness.
"Then what should I do, hm?" While the last part sounded serious, this, on the other hand, sounds a lot lighter. More casual. Honestly, Ange just sounds amused. "Should I start a class on how to make friends when you're anti-social?"
Hey, she is a success story in that regard.
no subject
"Maybe," he says. "I think a lot of people here could use that, and I'm sure you'd be a good teacher." And that's not a joke, he does genuinely think that. But even he can see how something like this might not necessarily pan out.
"I think the best we can do is just keep looking after the people we care about. So, you're already off to a good start!" He beams at her, bright as anything and a far cry from how nervous and self-conscious he'd been before.
no subject
It makes her smile right back at him. It feels like a relief, just knowing she was able to make him feel a little bit better in the moment. She knows that feeling of inadequacy will inevitably return in a place like this, when something might happen to someone close to you at any time without you being able to do much about it, but.. well, even managing to get rid of it for a moment feels important.
"If you ever feel like you need someone to talk to, just send me a message, alright?"
Ange might not always feel up to talking in general, but she will make an exception for friends. Especially when they need it.
"I don't doubt you have plenty of others you could send messages too as well." Since Orpheus is so social in her eyes. "But just know that my line is always open for you too."
Because Ange is not above thinking that the two of them run just as much of a risk to have something like that happen to them, if they don't seek out help when they need it.
no subject
"Of course!" he says, brightly. "And the same goes for you, okay? I know you've got your other friends, and Ruby to look after you, but it's always good to have options!"
Both for reasons of more people meaning more chances to catch someone who's around to listen when you need it, and that he knows sometimes there are things that could be hard to talk about with one friend but easier with another. Having a variety of people from different walks of life to talk to can make a lot of things more manageable.
no subject
Though she glances around after she says it, and then shakes her head.
"Speaking of Ruby, I guess I should look for her now." Make sure she isn't doing anything ridiculous. "Thanks for the performance, Orpheus. And for the talk."
no subject
And with that, he'll see her off before getting up and disappearing into the crowd himself.